Tag Archives: shah

Shah Rukh Khan, Ranveer Singh, Sushant Singh Rajput’s films may clash on Christmas 2018

December 2018 is going to be packed with big-ticket films. Two of Bollywood’s biggest stars — Shah Rukh Khan and Ranveer Singh, might have a box office clash in the coming year. According to a report by India Today, Aanand L Rai’s film which stars Shah Rukh Khan and Rohit Shetty’s remake of a popular Tamil action starring Ranveer might release on the same day in December 2018.

Untitled design (25)

However, another actor who joins the race is Sushant Singh Rajput, whose Kedarnath is releasing on 21 December 2018, too. Therefore, Bollywood buffs have a lot to look forward to during 2018’s Christmas weekend.

Although the release dates of Shetty and Rai’s films have not been confirmed yet, speculations about both the films hitting the screens in December next year are rife. This clash, if it occurs, will be a major one since Saif Ali Khan’s daughter Sara Ali Khan is also making her Bollywood debut with Kedarnath. Shah Rukh, too, is doing a highly experimental film after a while and the action flick will be Singh and Shetty’s first collaboration.

Shah Rukh and Singh’s films have previously clashed with each other only once. In 2015, Sanjay Leela Bhansali’s Bajirao Mastani and Rohit Shetty’s Dilwale had opened on the same day. Bhansali’s period drama surpassed Shetty’s rom-com in terms of box office collection.

Shah Rukh Khan, Salman Khan were Mukta Arts’ popular choice for Subhash Ghai’s Pardes

Filmmaker Subhash Ghai has revealed that he was under pressure to cast Salman Khan, Madhuri Dixit and Shah Rukh Khan for his romantic drama Pardes.

Salman and Shah Rukh do the signature pose on Bigg Boss Weekend Ka Vaar

The 1997 film featured Shah Rukh along with newcomers Mahima Chaudhry and Apurva Agnihotri.

For the role of Ganga (played by Mahima) and NRI Rajiv (played by Apurva), Ghai said his production house wanted Madhuri and Salman respectively.

“After several hits, Trimurti was Mukta Arts’ first flop. When a film flops, the industry is quick to write you off. I decided to write a film in my own style. When the script was over, we were discussing the casting, which was a big problem. My production house thought Shah Rukh could be in the film along with Salman, playing an NRI, and Madhuri would play the central character.

“I had narrated ‘Ganga’s’ character to Madhuri during Khalnayak too. But I wanted newcomers paired with Shah Rukh. His Trimurti had flopped and DDLJ (Dilwale Dulhania Le Jayenge) had worked, so I knew he was a great performer,” Ghai said.

Trimurti released in 1995, helmed by Mukul Anand, featured Shah Rukh along with Anil Kapoor and Jackie Shroff in the lead. The 72-year-old director said though people in his production house wanted the three superstars together, he was not convinced.

“My office wanted me to make the film with Salman, Madhuri and Shah Rukh because then it would be a big film and losses of Trimurti would be covered as well. They were right too. But the director in me wasn’t convinced that we need such a big star cast.

“I said three big stars won’t go well in the script that I have. I wanted someone who looked like he has come from foreign for the NRI part. It was a big challenge but I finally managed to get Mahima, Apurva and Shah Rukh,” he said.

The director was speaking at the special screening of the film, which completed 20 years in August. It was showcased at New Excelsior Cinema, which was recently acquired by Mukta A2 Cinema, a branch of Ghai’s Mukta Arts.

Ghai said another challenge for him once the cast was locked was to present Shah Rukh in a non-romantic role.

“Shah Rukh’s image had turned romantic after DDLJ but this role wasn’t romantic at all. The challenge was to tell Shah Rukh that he won’t be like a romantic hero in any shot.

How Dilip Kumar and Shah Rukh Khan’s camaraderie goes way beyond photo opportunities

Shah Rukh Khan’s recent visit to check on the health of the 94-year old Dilip Kumar, upon the latter’s return after spending a few days in the hospital for some kidney related problem, brought to mind the sweet bond that the two have shared over the years.

The thespian and his wife, Saira Banu, have publicly expressed their love for Shah Rukh Khan on numerous occasions and in fact, have even said that SRK is the child that they would have loved to have.

Besides having a few things in common with the younger Khan — including the same number of Filmfare awards for the Best Actor, eight to be exact, and both playing Devdas at some point in their careers — Dilip sahab’s fondness for Shah Rukh Khan also mirrors the manner in which he has interacted with some of the superstars who followed him.

Dilip Kumar’s influence on Indian cinema is peerless and this influence extends beyond acting prowess. It was Dilip Kumar’s persona that inspired more than a few generation of actors such as Manoj Kumar, Rajendra Kumar, Dharmendra and Amitabh Bachchan, and almost every single one of them famously modelled certain aspects of their craft on Dilip Kumar.

In Manoj Kumar’s case, he even took his screen name ‘Manoj’ after a character that Dilip Kumar portrayed in one of his films, Shabnam (1949). Dharmendra often mentions that even though he came to (then) Bombay to try his hand at acting, meeting Dilip Kumar was perhaps a bigger draw for him. During the shooting of one of his initial films in the late 1950s, Dharmendra met Dilip Kumar’s sister, and thanks to her ended up spending an evening at Dilip Kumar’s residence. Late in the night when Dharam ji was leaving, Dilip Kumar gave him a sweater as it had been raining, and to this day, the sweater is a prized possession for the former.

Later the emergence of Rajesh Khanna as the new superstar coincided with the period where Dilip Kumar had considerably reduced his output, but even then the public interaction between Dilip Kumar and other leading men, such as Khanna and later Amitabh Bachchan, was the same. It’s not just Hindi films where Dilip Kumar’s impact, both as an actor and an elder, was felt. His friendship with the iconic Sivaji Ganesan, and later his influence on a Kamal Haasan, is also well documented.

Mahira Khan on working in Raees: ‘I used to wish I wasn’t such a big Shah Rukh Khan fan

Mumbai: Mahira Khana’s Bollywood debut film, Raees, which has not yet released in Pakistan, is being eagerly awaited by film buffs there, the actress said at a press conference.

Along with Shah Rukh Khan, Mahira the film’s leading lady, who couldn’t promote the film due to the ban imposed on Pakistani artists in India, joined in via video call on Friday .

Mahira Khan with Shah Rukh Khan in 'Raees'

The actress said: “Raees is releasing soon in Pakistan and believe me, everybody is waiting for the film just like people had waited all over the world and I believe that it is going to do amazing business here.”

The Humsafar actress shared how her family reacted to the film. “The big fear was people will come to watch the movie and hoot for Shah Rukh, not for me. When my family watched the movie, they were also screaming for him.”

“But the kind of response I received has been completely fantastic and I am very grateful,” she added.

Sharing the experience of working with Shah Rukh, Mahira, 32, said, “I was nervous as hell. Sometimes I used to wish I wasn’t a big Shah Rukh fan. It was scary but it got better, especially after we shot ‘Zaalima‘. Working with him is a dream come true. Nothing short of that.”

The actress who was seen grooving in the songs “Udi Udi Jaye” and “Zaalima” in the film, stated, “I’ve to rehearse a lot for the songs. The choreographers used to give me examples of the other great Bollywood actresses.”

Post release of the film, the Raees team is soon going to release another song of the movie which was edited to make short the length of the running time.

Raees box office collection: Shah Rukh Khan’s film has Rs 21 crore opening

Shah Rukh Khan has proved yet again, his penchant for making a solid opening at the box office with his latest release Raees.

Raees, directed by Rahul Dholakia and produced by Excel Entertainment and Red Chillies, was expected to take in anything between Rs 17-19 crores in box office collections when it opened on Wednesday, 25 January 2017.

The predictions seemed in line with SRK’s previous releases — Fan (which brought in Rs 19 crores on opening day) and Dilwale (which had a Rs 21 crore opening).

As per early reports, which have taken into consideration the screen count (approximately 2,600) and occupancy levels (reported to be around 60 percent through the day), the Day 1 box office collection has been estimated at Rs 21 crore.

Trade observer Ramesh Bala tweeted out the early figures: “Looking at the early day one numbers, Raees seems to have outdone Kaabil by a huge margin at the box office: Raees — Rs 21 crore; Kaabil — Rs 7.5 crore.

Akshay Kumar News18 380

1 figures for Raees at Rs. 20.5 crore, stating: “Considering the fact that Wednesday was a regular working day with the only advantage being the big holiday on Thursday (Republic Day), due to which evening and night shows were better than normal, Raees has clearly taken a very positive start at the box office.”

While official figures are still awaited, it is Day 2 figures for both Raees and Kaabil that will be keenly watched. It remains to be seen how much the public holiday will benefit the business of both films.

Shah Rukh Khan: ‘As an actor, I do not perform keeping awards in mind; it just happens

Mumbai: Bollywood superstar Shah Rukh Khan, who launched the upcoming international film award titled ‘Indian Academy Awards’ says he loves awards and considers them the collective applause for his work.

Shah Rukh Khan. File photo/Solaris Images

“I love being a movie star and I love awards. After working for some time in the industry, we all reach a point from where we need some kind of applause and recognition. My awards are the collective applause for the work that I have done that year or on a film,” Shah Rukh told media here.

Khan added that in his opinion, none of his films so far in the vast body of his work is worthy of a National Award.

“If I haven’t got an award, I didn’t deserve it.. as an actor, I do not perform keeping any award in mind, it happens,” he added.

Indian Academy Awards, conceptualised by Brainstorm Entertainment and executed by Cineyug will held in California to celebrate world cinema of three major film industries — Bollywood, Tollywood and Hollywood.

Apart from Shah Rukh Khan, the event had Vandana Krishna, Saurabh Pandey of Brainstorm Entertainment, US Consul General Tom Vajda and Aly Morani from Cineyung.

Explaining the idea of celebrating cinema on such a huge platform, Shah Rukh, asking people not to compare it to the Oscars or any such awards, said: “Bollywood films are hugely respected by American artistes. Creating this kind of platform will help us to not only promote our Indian films of different industries, but also create awareness of our work.

“India is one of the old filmmaking countries of the world. So as a member of film industry, I feel it is our responsibility to educate people about our cinema that can resolve lot of misconception about Indian films.”

One of the unique factors of the award is film lovers’ participation. People can vote for their favorite films, stars in over 21 categories from the official website of Indian Academy Awards.

IAA founder Pandey said: “The Indian film industry is going global and the Indian Academy Awards is a celebration of that global, democratic academy that is completely transparent and all encompassing. Our aim with these awards is to bring a sense of realism and credibility to cinema awards in the Indian film industry. This is an academy that never sleeps.”

Vajda said: “We are very pleased to support the collaboration between the American and Indian film industries, in a way that recognises and promotes great talent and storytelling in movies. California is a perfect destination to showcase this for both American and Indian audiences”.

Indian Academy Awards will be a two days extravaganza of live performances by various superstars of Bollywood including Shah Rukh that will be choreographed by Shiamak Davar along with music and fashion shows on 7-8 July 2017 in Silicon Valley.

Dear Zindagi movie review: Incredibly cute Alia, Shah Rukh Khan need a more consistent script

Dear Zindagi is clearly straining at the formula-ridden Bollywood straitjacket to give us a refreshing take on love and family, and for the most part it sticks to its guns. In the end, it does succumb to the pressure to bow to perceived public demand with passing mentions of what we have come to consider inevitable in every Hindi film, but the ride up to that point is so rewarding so often that it is tempting to look past those needless moments.

Writer-director Gauri Shinde’s Dear Zindagi comes four years after her remarkable debut with English Vinglish. If that film brought the charismatic Sridevi back to the big screen as a leading lady after a 15-year hiatus, this one redefines the concept of hero and heroine in Hindi cinema.

the-first-look-of-lsquo-dear-zindagi-rsquo-is-out-and-srk-and-alia-are-nothing-short-of-adorable980-1469001091_980x457

Dear Zindagi revolves around Kaira (Alia Bhatt), a talented young cinematographer in Mumbai who despises her parents, appears confident in her romantic relationships yet is ridden with insecurities about the men she is drawn to. Those insecurities lead her to deliberately hurt her boyfriends before they get a chance to hurt her. It does not take a degree in psychology for a viewer to figure out her behaviour patterns, but Kaira is naturally confused by her fears. She ends up seeking professional help, and with some wise counsel, finds her answers herself.

When one of the biggest stars in the history of Bollywood appears on screen about 40 minutes after the opening credits, it goes without saying that this is an extremely unconventional film. Bhatt’s Kaira is the focal point of the story from start to finish whereas Shah Rukh Khan – playing her therapist Dr Jehangir Khan – surfaces towards the latter part of the first half and is nowhere to be seen in the concluding scene.

In a male-obsessed industry still tending to subordinate women in most mainstream projects, this is a decision that shows guts on Shinde’s part and Khan’s evident willingness to experiment. That other MegaKhan, Aamir, took a similar gamble with rewarding results in Taare Zameen Par (2007), and this is a winning aspect of Dear Zindagi too.

SRK gets less screen time but owns every scene he is a part of. In fact, Doc Jehangir enters the picture just as the film is sagging and appears to be repeating itself. His arrival immediately lifts Dear Zindagi. It sags again occasionally thereafter, but never when he is around. Besides, there is such warmth in Kaira’s interactions with the Doc that it envelops the rest of the narrative too.

It is worth mentioning that Khan in this new phase of his career when he is acknowledging his age gracefully, showing us a dash of gray and a whiff of wrinkles, is looking hot.

Kaira explodes in anger at one point when someone describes her as a pataka (firecracker). Well, that’s precisely what Bhatt is – a pataka with pizzazz and verve. What makes her so impactful is that she has had an internal journey with each of her roles so far, and not so far allowed that journey to be overshadowed by her attractive personality. Kaira is simultaneously exasperating and endearing, and Bhatt remains in control of that difficult blend throughout.

Still, the film needed more matter to wrap around these two lovely stars, and Dear Zindagi too often does not. Some of that comes from the failure to build up the satellite characters who are Kaira’s go-to people in times of need. We get that she is pre-occupied with her own emotional struggles to the point of not noticing their problems, but that is no excuse for the writing to neglect them too.

Who is Fatima (Ira Dubey) beyond being a mature, married friend? Who is Jackie (Yashaswini Dayama) beyond being a sweet, supportive, possibly younger friend? Who and what is that chubby male colleague beyond being chubby and funny? Who is her brother Kiddo (Rohit Saraf) whom she loves, beyond being her brother Kiddo whom she loves? Who and what are her boyfriends Sid (Angad Bedi), Raghuvendra (Kunal Kapoor) and Rumi (Ali Zafar) beyond being a good-looking restaurateur, a good-looking producer and a good-looking musician?

(Spoiler alert) And then there are those two oh-no moments towards the end – you know the kind that make you say, “Oh no, you too Dear Zindagi”? One of them seems to go along with the traditional view that characters played by a major male star and a major female star must inevitably be attracted to each other if they interact long enough in a story; the other underlines the essentiality of a man in a woman’s life to make her feel complete. Both are fleeting suggestions, but they pull down the film’s assuredness about what it is trying to say until then. Oh no, you too Dear Zindagi? (Spoiler alert ends)

For this and other reasons the film is inconsistent and intermittently lightweight. Yet, there is much else to recommend in Dear Zindagi.

The use of music, Amit Trivedi’s breezy tunes and Kausar Munir’s conversational lyrics are lots of fun, as are Kaira’s many amusing interactions with her friends. DoP Laxman Utekar fills the film with pretty frames of Goa beyond what we are used to seeing of that picturesque state, and is just as imaginative in his focus on Khan and Bhatt’s faces. Watch out for the closing shots of Bhatt on a beach.

dearzindagi-story_647_112416112052

From an industry that usually treats parents as deities deserving to be worshipped, it is also unusual to get a story that does not ignore these gods’ feet of clay, especially considering that Dear Zindagi is co-produced by Karan “It’s All About Loving Your Parents” Johar.

Above all, it is nice to see a film making an effort to destigmatise patient-therapist interactions, in a portrayal far removed from the “paagalkhanas (lunatic asylums)” of an earlier Bollywood era.

Dear Zindagi then is a mixed bag. I loved SRK in the film, Bhatt is always a pleasure to watch, the story visits many themes that are uncommon in Bollywood, and several of the discussions are either witty or insightful or both. Overall though, the film comes across as being not enough because the writing needed more substance.

Dear Gauri Shinde,

You broke the mould with the delightful English Vinglish. Since you have defied convention in so many ways this time round too, you may as well have gone the entire distance without worrying about the consequences. We believe in you. Please do have faith in our faith in you.

Krrish 4 release date changed; clash with Shah Rukh Khan-Aanand L Rai film averted

Box office clashes isn’t exactly good news for anybody, least of all the producers. While Diwali will see the mother of all box office clashes with Karan Johar’s Ae Dil Hai Mushkil locking horns with Ajay Devgn’s Shivaay, there’s some respite coming in as another box office war has been averted.

srk hrithik

Filmmaker Rakesh Roshan, whose production Krrish 4 was all set to release on Christmas 2018 alongside Shah Rukh Khan’s project with director Aanand L Rai, has decided to back out of the clash. The filmmaker stated that he arrived at this decision since Khan had announced his film earlier and it would be “unethical” for him to release the fourth instalment of his superhero film alongside.

Talking about it in an interview to Bombay Times , Roshan said, “It is unethical for me to release my film on this date as Shah Rukh has already announced is movie…We’re here to make films, not create controversies. As far as Shah Rukh is concerned, he is like a younger brother to me.”

However, the Raees vs Kaabil clash on Republic Day 2017 remains unaffected. Khan’s Raees was slated to hit the theatres on Eid this year with Salman Khan’s Sultan. But Shah Rukh Khan postponed Raees’ release toJanuary 26 – a date that had already been booked by the Roshans for the release of their upcoming thriller, Kaabil.

Roshan stated that he will not move Kaabil’s release date ahead as he had announced his project way before Khan.

Shah Rukh Khan subtly disses obsessive fans in ‘Fan': Your turn, Rajini Sir?

She came up to me as I waited for my car at a Mumbai hotel a few years back, the real-life person behind a social media ID with which I had exchanged a handful of tweets over time. She (let us call her X) was disappointed when she discovered that I had just finished recording a TV interview with John Abraham.

Bumping into John as he left the set of my show would have meant notching up two stars in one day for her. As the winner of a contest run by a film producer in collaboration with a corporate house, X had just spent some time with a major actor as her prize. An unplanned encounter with another would have been a windfall, she explained.

It was a routine polite conversation with a random star-crazed stranger that will sound familiar to any journalist who has covered films. The tone changed though when X decided to confide in me. Being a huge fan of Ranbir Kapoor, she was furious with Deepika Padukone for splitting up with him, she said. So she sent multiple entries to a contest where the prize was a chance to dance with DP. She won.

“There were others there, but I made sure I was standing next to Deepika,” said X, “and while we were dancing, I stepped hard on her feet to hurt her, then I pretended it happened by accident. How dare she break my Ranbir’s heart.”

I have no clue whether such an event actually took place or was a fiction created by X, but the pride with which this creepy youngster narrated it to me was disturbing.

That chance meeting popped back into my mind as I watched Shah Rukh Khan’s Fan last week. Some analysts have called the film a risk for SRK because it is songless and, in comparison with most of his blockbusters, understated. To my mind though, the risk of the project lies in another of its elements.

Imagine Ranbir Kapoor telling X to get a life. That is pretty much what Khan does in Fan in which he plays movie star Aryan Khanna and his lookalike Gaurav Chandna who calls himself Junior Aryan Khanna, impersonates the actor on stage and at one point, when his idol snubs him, turns into a psychopathic stalker. In short, Chandna is a nut.

In Shakespeare’s A Midsummer Night’s Dream, Theseus says: “The lunatic, the lover, and the poet / Are of imagination all compact.” You could add another creature to his list: the fanatic. All-consuming fandom is, and perhaps always will be, completely incomprehensible to those who have never felt such passion for distant figures they are unlikely to ever meet in person.

For the record, possessed fans do not necessarily see their deity as a far-away being, assuming instead that s/he is reading their words or hearing them somehow and imagining that some day they will indeed meet.

A reporter colleague recalls interviewing Rajinikanth fans outside a theatre after the first day first show of a new Rajini film in Delhi. Off camera they admitted to being highly disappointed, on camera on a live show they praised the film to the heavens. Why did you not speak the truth, the journalist later asked? Because we cannot upset Thalaivar, they replied in all seriousness, as if they were genuinely convinced that Rajinikanth was glued to that particular news programme on that particular channel to see what they in particular had to say about Kuselan.

Shahrukh-Khan-Profile-Biography-Wiki-Net-Worth

Bizarre? Inexplicable? Perhaps that is why Gaurav Chandna in Fan dispenses this punchline to explain it away to Aryan Khanna: “Rehne de, tu nahi samjhega” (Forget it, you will not understand).

Khanna, who is furious at the intrusion into his life and clearly does not want to understand, offers Chandna this advice that could well be seen as coming from Shah Rukh Khan himself: establish an identity for yourself beyond me, make something of yourself instead of being just a fan.

It is natural to wonder if SRK maniacs are pleased to hear these words from their hero. Is it not suicidal for a star not to pander to even his most maniacal fans?

Without fandom, can there be stardom? Chandna, who seems not to recognise the role of Khanna’s talent and hard work in his success, offers this answer in the film: “Main hoon toh tu hai” (I am, therefore you are). And: “Gaurav hai toh Aryan hai, Gaurav nahin toh Aryan kucch bhi nahin” (Aryan is who he is because Gaurav exists; without Gaurav, Aryan is nothing).

Curiously enough then, Fan seems to be gently chiding the leading man’s core constituency: not sane supporters who respect his art and are drawn to his charisma, not mere admirers, but devotees. This then is the risk the film holds.

It is a risk worth taking. After all, extreme fandom can pretty quickly turn from a non-aggressive fixation to verbal or even physical violence. Fans who watch the same film 25 times in the week of its release, deem it their duty to ‘make’ it a hit and build shrines within their homes, are just a hop, a skip and a jump away from the ones who take it upon themselves to spew venom at a star’s rivals online, who try to intimidate critics before a release and afterwards troll those who wrote negative reviews.

They are so mired in their own infatuation that earlier this week they lacked the discernment to realise that Ram Gopal Varma was, in all probability, having a lark at their expense with his tweets mocking Rajinikanth’s looks, posted possibly after more than a couple of shots of whatever it is RGV consumes before he tweets.

Offline, they have built actual physical temples to Amitabh Bachchan and Khushboo, and bathe giant likenesses of Rajini in milk on the morning of each new release. They sent letters written in their own blood to Rajesh Khanna and threw themselves at the Beatles’ cars. They weep at concerts and faint at premieres. And when it gets worse, they are that stalker claiming to be Taylor Swift’s husband, against whom she had to get a restraining order from a Los Angeles court; that woman who scratched John Abraham and told him with satisfaction that she now had his blood and skin under her nails; that man who allegedly followed Shruti Haasan around, finally turned up at her Mumbai home and assaulted her.

This is not admiration, it is obsession to the exclusion of sense, sanity and self-respect. Psychologists say such people see the star as an extension of their own selves, and derive their self-worth from her/his achievements. Witness their excited online chatter, for instance, about how “our film is a hit” and “we did it”.

As mediapersons we often end up being abused, praised, harangued and harassed by such people. To be honest, the word that comes to mind for them is “loser”. The problem with that label though is that it is a casual expression of irritation that fails to consider the dangerous aspects of fandom.

Working with Shah Rukh Khan was a dream come true': Sunny Leone

Sunny Leone hoped to work with Shah Rukh Khan since the beginning of her Bollywood journey and the actress recently shot a song in Raees with the superstar. Sunny says she found it difficult to control her emotions.

Sunny will be seen shaking a leg with the Dilwale actor in the reprise version of the 1980 chartbuster ‘Laila O Laila‘ in the film.

The Mastizaade actress feels proud to have worked with Shah Rukh, as she had wished for the opportunity “every single day”.

“Working with Shah Rukh was unbelievable, it was a dream come true. When you wish for something every single day and then you get a chance, just the offer to work with somebody like him, it was a very proud moment for me,” she told PTI in an exclusive interview.

Sunny_SRK_0

Even though the 34-year-old actress has made a mark for herself in Bollywood with several films to her credit, she got very emotional when she saw herself with Shah Rukh in one frame.

“I was the happiest ever. To see myself and Shah Rukh on the screen, in one frame, that was the first time I saw, the first shot, it was very emotional for me. I was like ‘I have make-up on, control your emotions’. I was constantly saying, ‘Oh God! My first shot with him, thank you’.”

Usually bold and confident in her demeanour, Sunny, was a bundle of nerves when she met the 50-year-old actor on the movie’s set. The Ragini MMS 2 star said that she behaved like a “dork” in front of him.

“He is very nice, respectful, and professional. I am such a dork, I get shy. I am like that person who doesn’t know what to talk when that person is standing in front of you. You admire them, look upto them and you think ‘they have accomplished so much’, and then they’re in front of you and you just don’t know what to say,” the actress said.