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Padmavati has a risk cover of Rs 160 crore, reveals director of insurance company

Padmavati has not only been a risky project for the makers of the film, but also for the insurance company that worked with them on the project.

Aatur Thakkar, Director of Alliance Insurance said, “It has been a difficult project from the very beginning, as you are aware the sets of the film were attacked by fringe groups. However that was nothing compared to the threat the movie faces now.”

Alliance has been associated with Padmavati since the very beginning and they claim to take a lot of pride in this association. Thakkar added, “we have not only insured the movie during production but also covered them for a safe release. We are also protecting their revenues if they get affected post a release.”

Padmavati had been postponed from its earlier release date of December 1, and the film has been banned in five states including Gujarat, Uttar Pradesh, Madhya Pradesh and Rajasthan even before the Central Board of Film Certification certified the film. This is definitely not a good sign for the makers, who have a risk cover for the film of Rs 160 cr, apart from the production insurance.

Thakkar informed, “The risk commences only once the movie is allowed to release and there is a claim like situation if the release is disturbed, affecting the revenues from ticket sale collection. We are hoping every thing settles down and the movie releases soon as the filmmakers and the media has promised that there is nothing in the movie which should create this havoc .”

Here is a list of films that fell prey to politics before its release:

Garam Hawa (1974)

The film remained uncensored by the CBFC for nearly 8 months fearing communal violence. But KA Abbas showed the film to government officials leaders and journalists before it found its way to the cinema halls.The film was premiered at Regal cinema prior to the release, and Bal Thackeray, who had threatened to burn down the cinema halls, got to watch the film at a special screening.

Aandhi (1975)

The film was a political drama and was alleged to be inspired from the real life story of the then prime minister Indira Gandhi and her estranged husband Feroz Gandhi. The film did not get a proper release while Indira Gandhi was in power and later got banned during the emergency. But in 1977 after the Congress was defeated and Janata Party came into power the film got a proper release on national television.

Shahenshah (1988)

There were allegations, which were later dismissed by the court, of Amitabh Bachchan’s involvement in the Bofors scam before the release of the film. Audiences were curious to see the film as it was his first release after a gap of two years. It released to a thundering response despite protests and trade pundits said the protests actually helped the film at the box office.

Khalnayak (1993)

This Sanjay Dutt film’s release coincided with his arrest in the 1993 Mumbai blasts. But the controversy, again, played a part in the film’s huge success.

Fanaa (2006)

Aamir Khan’s statement in support of Narmada Bachao Andolan got him into trouble with then Gujarat chief minister Narendra Modi. The film did not get released there even the actor’s effigies were burnt. But the controversy helped the film and it was a big hit.

Jo Bole So Nihaal (2005)

 Jo Bole So Nihaal was in the eye of a storm for allegedly insulting the Sikh religion. Large-scale protests were seen in Jalandhar and other cities of Punjab. Sikh organisations threatened to launch more protests if the Central Board of Film Certification failed to impose a blanket ban but the film released despite the warnings. It, however, had to be pulled out of many halls because of protests and the producer lost crores.
Water (2005)

The movie faced opposition during its shooting from Hindu organisations in Varanasi. The sets were destroyed. The Uttar Pradesh government decided to stop the shooting on 31 January 2000. The shooting was shifted to Sri Lanka later. Shiv Sena Chief Bal Thackeray had said that he hated Deepa Mehta the most. Shiv Sainiks even burnt DVDs of the film. The movie was released in India much later in March 2007.

Fire (1996)

On its opening day in India, some film theatres were attacked by Hindu fundamentalists for depicting a lesbian relationship.The film was withdrawn and sent back to the Censor Board. But, later it was released uncut.

My Name is Khan (2010)

Before the release of My Name is Khan, Shah Rukh Khan had stated that he had no qualms about having Pakistani cricketers playing in the IPL. This didn’t go down well with Shiv Sena, who tried to obstruct My Name is Khan‘s release. The movie, which finally managed to reach the theatres, was given heavy police protection and had a fractured start at the box office. But the film later went to become a big hit and won critical acclaim as well.

Bombay (1995)

Mani Ratnam’s film was a inter-religion love story set in the backdrop of the Bombay riots. The film was slammed by both Hindu and Muslim leaders of Mumbai. Muslim leaders alleged that there was a biased depiction of the Mumbai riots in the film, and as a result Ratnam had to screen the film for Bal Thackeray before it released in Maharashtra.

Dangal box office collections cross Rs 385 crore: Aamir Khan plans success party

Mumbai: Dangal producers Aamir Khan and Siddharth Roy Kapur will host a grand party here on Saturday to celebrate the success of the movie, which has become the highest grossing Bollywood entertainer.

In 'Dangal', Aamir Khan portrayed wrestler Mahavir Singh Phogat

The film has recently surpassed collections of Rs 385 crore at the Indian box office. For Aamir, it almost makes for twin celebrations as now he has two films — PK and Dangal — which have crossed the Rs 350 crore mark.

The makers are ecstatic with the reactions and positive response to the film, which is in demand even in its sixth week.

Aamir, who usually shies away from parties, is organising the celebration for Dangal after being urged by his friends from the Hindi film industry. He has invited the who’s who of the industry for the party at Taj Lands End, said a source in the know of developments.

Directed by Nitesh Tiwari, Dangal is an inspirational story of an Indian wrestler Mahavir Phogat, who against all odds, manages to train his daughters Geeta and Babita to become world class wrestlers.

The sensitive portrayal of the father-daughter relationship moved the audience, who also appreciated performances by Aamir and his on screen daughters Fatima Sana Shaikh and Sanya Malhotra.

Raees box office collection: Shah Rukh Khan’s film has Rs 21 crore opening

Shah Rukh Khan has proved yet again, his penchant for making a solid opening at the box office with his latest release Raees.

Raees, directed by Rahul Dholakia and produced by Excel Entertainment and Red Chillies, was expected to take in anything between Rs 17-19 crores in box office collections when it opened on Wednesday, 25 January 2017.

The predictions seemed in line with SRK’s previous releases — Fan (which brought in Rs 19 crores on opening day) and Dilwale (which had a Rs 21 crore opening).

As per early reports, which have taken into consideration the screen count (approximately 2,600) and occupancy levels (reported to be around 60 percent through the day), the Day 1 box office collection has been estimated at Rs 21 crore.

Trade observer Ramesh Bala tweeted out the early figures: “Looking at the early day one numbers, Raees seems to have outdone Kaabil by a huge margin at the box office: Raees — Rs 21 crore; Kaabil — Rs 7.5 crore.

Akshay Kumar News18 380

1 figures for Raees at Rs. 20.5 crore, stating: “Considering the fact that Wednesday was a regular working day with the only advantage being the big holiday on Thursday (Republic Day), due to which evening and night shows were better than normal, Raees has clearly taken a very positive start at the box office.”

While official figures are still awaited, it is Day 2 figures for both Raees and Kaabil that will be keenly watched. It remains to be seen how much the public holiday will benefit the business of both films.

Kaabil box office collection: Hrithik starrer earns Rs 10.43 cr on Day 1

The stakes were high for Hrithik Roshan starrer Kaabil, when it opened in theatres across the world on Wednesday, 25 January.

Hrithik Roshan in 'Kaabil'

Not only is this a home production for the Roshans, it was also a chance for both director Sanjay Gupta (whose last film Jazbaa was not a success) and Hrithik (who had a box office debacle in Mohenjo Daro on his hands in 2016) to redeem themselves.

To complicate matters further, there was the high-profile clash with Shah Rukh Khan’s mass entertainer Raees that was bound to eat into the business Kaabil expected to do.

On opening day, Raees raced ahead  with a Rs 21 crore opening — as expected for the SRK starrer.

On the other hand, Kaabil scored a Rs 10.43 crore box office collection on Day 1.

An official statement released by the Kaabil team read: “Kaabil opened to 40 percent theatre share in multiplexes as well as a smaller share of the single screens yesterday. It collected Rs 10.43 crore on Day One… The film is expected to grow exponentially over the Republic Day weekend on the strength of the positive audience reactions.”

Trade website Bollywood Hungama reported that Kaabil‘s Rs 10+ crore opening has made it among Hrithik’s top-five day one earners, providing these figures for his films and their respective day 1 box office collections:

Bang Bang: Rs 27.54 crore

Agneepath: Rs 23 crore

Krrish 3: Rs 19 crore

Kaabil: Rs 10.43 crore

Kites: Rs 10 crore

Mohenjo Daro: Rs. 8.87 crore

As with Raees, the Republic Day public holiday and subsequent weekend will prove to be crucial for Kaabil‘s business as well.

Kabali box office: Rajinikanth’s film earns Rs 110 crore in three days, beats Sultan

The mixed critical reception to Superstar Rajinikanth’s Kabali certainly hasn’t affected its box office business any.

With most shows in the film’s first week sold out at the theatres, that Kabali would score a great box office opening wasn’t in doubt.

A poster for Rajinikanth's 'Kabali'

Still, when the numbers began to roll in, there was a sense of shock at the phenomenal amounts of money Kabali had managed to collect.

After the numbers for its opening weekend collections have been tabulated, Kabali’s box office earnings from Friday, 22 July (when it released) to Sunday, 24 July, amount to a cool Rs 110 crore.

With its opening weekend collection, Kabali has now beaten Sultan — the most recent box office behemoth — which had earned Rs 100 crore in three days. Other films that have repeated the feat? Happy New Year, Dhoom 3, Bajrangi Bhaijaan and Prem Ratan Dhan Paayo.

On Firstpost: As Kabali-Sultan comparisons are drawn, these are the numbers Rajinikanth starrer has to beat

Kabali released in the original Tamil and dubbed versions in Telugu and Hindi in nearly 3,500 screens across the country. As per trade sources, the film’s net box office collections would be roughly Rs 47 cr from Tamil Nadu, Rs 20 cr from the states of Andhra and , Rs 16 cr from Karnataka, Rs 8 cr from Kerala and Rs 19 cr from the rest of India (Hindi+Tamil versions). That comes to a total of Rs 110 cr from India theatricals.

The box office numbers from Tamil Nadu, of course, have been the hugest. The 47-crore opening weekend collection is the highest ever, for any film in the state. Kabali has been exempted from entertainment tax here, and there were many allegations that outside of Chennai city, tickets were sold from Rs 300 to 500 over the weekend. Most screens had six-seven shows on the opening day, to meet the demand for tickets

In Tamil Nadu there is a government cap on ticket prices, with Chennai multiplexes allowed the highest rate of Rs 120; it varies in other places. It is not easy to track the exact box-office numbers in the state, and the figures reported may not be fully accurate.

One thing that can be said is that Kabali has taken a much bigger all-India opening day collections than Rajinikanth’s all-time super hit Enthiran (Robot). But it is early days yet, when it comes to saying whether or not Kabali will break Enthiran’s record of being Rajinikanth’s highest earning film.

And this is where those adverse film reviews may play spoilsport.