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Running Shaadi quick review: Tapsee, Amit Sadh’s film falls prey to curse of the second half

Running Shaadi is one of those movies that you might want to give a try because of its actors.

The movie stars Tapsee Pannu and Amit Sadh who were last seen in Pink and Sultan respectively, and these two put on a great show. Ram (Amit Sadh) works in a textile shop in Punjab, whose owner is Nimmi’s (Tapsee Pannu) father. It’s a smooth playground till love hits; Ram and Nimmi fall in love while the latter is still in school. As she moves on to college and starts hanging with cooler friends who wears better clothes and speaks in English, love falls short. While Ram gets very annoyed with this, Nimmi tries to get the relationship back in track.

running-shaadi-dot-com1

One night when Ram has had enough, he calls his relatives back in Bihar and fixes his wedding with a stranger. That night is whena million dollar idea of making a website that would help lovers elope and get married legally strikes him. They name it runningshaadi.com and this is the first 30 minutes of the movie.

From this point, for a very long time, we only see montages of them helping 20-odd couples elope and get married. Beyond that, we eventually lead up to the main plot point in the film: how Raj and Nimmi get their love mojo back.

The performances in the movie are great. Tapsee Pannu and Amit Sadh are great to look at and have the north Indian twang bang on, which helps you understand the story better. Arsh Bajwa, who plays Ram’s side kick in the movie (a Sardar tech junkie named Cyber) does a great job, too.

Running Shaadi has an interesting plot; it’s new and fresh but not entertaining throughout. The movie is fun for the first 30 – 45 minutes when we just get to know the characters and understand what’s going on. Post that the movie falls flat. There is nothing more to it once they make the website.

The movie was earlier supposed to be called runningshaadi.com — which is also the name of the website, but due to legal reasons, they had to drop the .com from the name. Since this is was a last minute decision, the movie had many scenes where ‘.com’ was blurred and beeped, which makes it look shabby.

It’s not just Akshay Kumar, but the female characters in the satirical dark comedy drama, Jolly LLB 2, were also applauded.

It’s not just Akshay Kumar, but the female characters in the satirical dark comedy drama, Jolly LLB 2, were also applauded.

One such character was the wonderfully-nuanced cameo by SayaniGupta, who played Hina Siddiqui, a young Muslim woman driven to despair.  It’s a small but pivotal and deeply impactful role, so much so that Sayani was lauded for her performance by some of the veterans from the industry. Twitterati in large numbers also poured their love for her.

Gupta has so far been doing a balancing act between commercial and art cinema. She has received critical acclaim for her offbeat and distinctive roles in films like her debut Margarita With A Straw (played the role of Kalki’s love interest)and most recently Fan (as Shah Rukh Khan’s secretary), however, Sayani doesn’t take compliments or criticism seriously.

“I have never sat down to ponder over what others have to say because ultimately you know what you have done. Piyush Mishra (theatre and film actor, NSD alumni) called me few days back when I was shooting for Jagga Jasoos, and said while referring to Jolly LLB 2, ‘I didn’t know you acted so well.’  Lot of people are complimenting me on social media as well. Somebody told me that they went to watch the film thrice because of me. There are lot of people who said I made them feel for the part and I made them cry,” says Sayani.

sayani

She continues, “My performance really moved my mother, and she is far too detached about the industry and not at all excited about the film world or what I am doing. She is not in favour of me acting and it was quite a struggle to convince her when I went to FTII (Film and Television Institute of India). Little by little, she is coming to terms with it but she would have rather seen me as an IAS officer or in a regular job.”

“We are from middle class family and they didn’t want their only daughter to get into films. Obviously there are certain perceptions about the film industry. My close friends never say nice things, they are always critiquing my work, but finally they felt that I was brilliant in Jolly LLB 2.”

Strangely enough, Sayani has been getting offers for horror movies for last few years and she, too, fails to understand the reason for it. “Maybe they think I am a Bengali, I have big eyes…” she laughs.

While Sayani so far has rejected two offers post Jolly LLB 2 (as  she is “choosy”, “instinctive”, “and not ready for it”), she is certainly excited about her first international project, The Hungry, which is an Indo-British production starring Naseeruddin Shah and Tisca Chopra. The film, for which the actors were very selectively chosen, is directed by debutante filmmaker Bornila Chatterjee, who is an alumnus from New York’s Tisch School of the Arts. The Hungry is an adaptation of William Shakespeare tragedy Titus Androcinus, which is believed to have been written between 1588 and 1593.

“This year marks the 400th death anniversary of Shakespeare. His stories could seem a tad hyper-real for this era, but this film is a realistic take. The script won at a collaborative cine-lab,” says Sayani, further adding, “The film has a bunch of deadly actors. We shot for it in Delhi and Agra. The ambience on set was stimulating and since we all got along so well, it turned out to be a great shoot.”

Recently, Sayani earned an honourable mention for the Best Actress award for her short film, Leeches, at the Indian Film Festival of Los Angeles  (IFFLA). In just two years of her career, she’s also bagged one of the lead roles opposite Naseeruddin Shah with The Hungry. The actress considers it her privilege to act alongside ‘Naseer’, who was her teacher at the FTII.

“Naseer was very excited about his role after decades. He plays my father. He has been my teacher and lot of my understanding about acting and the craft is because of him. It was almost like reassurance of sorts when he would come to take our class. I adore him as a human being. He is fun to be around. He has always taught us how acting is all about reacting. He is a keen listener, which adds to the performance,” she says, adding:

“There are two of the coolest men I have worked with – Shah Rukh Khan and Naseeruddin Shah. They are sensitive, they are aware, they don’t take themselves too seriously. They are normal dudes.”

So did Sayani take any advice from the two “coolest” men?

“Some of the things Naseer told me is: ‘Learn your lines till you bump into a furniture. Know your lines backwards. Study the script well. Be relaxed and don’t take things too seriously. Make it fun and light.’ On the other hand, there’s much to learn just by the way Shah Rukh carries himself. He is the most technically sound actor, I feel. His understanding, the cleanliness with which he does everything, his craft is solid. He doesn’t show it. He is persistently hardworking and also the humility. He doesn’t take his stardom seriously,” she reveals.

Two of Sayani’s “friends” from the industry are the erstwhile directors – Rajkumar Hirani and Vishal Bhardwaj. She may not have offers from them yet but she certainly takes their advice. “I don’t talk work with them. Hirani often tells me that I should give people time after they have seen my film. I did audition for a part in Rangoon but Vishal told me that it won’t be good enough for me. I would never ask them to cast me because that could hamper our relationship. Whenever they want to cast me, they will.”

Sayani is currently shooting for Ranbir Kapoor-Katrina Kaif- starrer Jagga Jasoos which has been in the making for a long time. “When I signed the film I was playing the only narrator in the film. I had a separate track of my own. But since there is no script — Dada (Director Anurag Basu) doesn’t work with scripts, he writes as he goes along — my role has changed. I will know what my part is only after I see the film. Also, it is a very difficult film when it comes to format. It is musical, it’s a children’s film, and it is not a normal narrative. I play a 14-year-old girl and that is all I know (laughs),” she says.

Kahaani 2 quick review: Vidya Balan is riveting in thriller that’s let down by its second half

Except for carrying forward the name of a character — ‘Vidya’ — for the first half of the movie, Sujoy Ghosh’s Kahaani 2 (also known as Kahaani 2: Durga Rani Singh) starring Vidya Balan and Arjun Rampal, is an entirely different movie from its predecessor in the franchise. The plot is new, so are the characters.

Vidya Balan in 'Kahaani 2: Durga Rani Singh'

Kahaani 2 is set in Kolkata and is the story of Durga Rani Singh, played by Vidya Balan, who has been accused of kidnapping a 6-year-old called Mili, and murdering her grandmother. There is a also a parallel life she leads as Vidya Sinha, who has a daughter named Mili. Confusing enough? You will have to watch the movie to find out how this plot plays out.

The movie revolves around child sexual abuse. The first half of the movie gives you all the possible thrills and chills as Durga Rani Singh sets out in a mission to rescue a child from a possible abuser.

This is one of those movies for which the trailer is a curse. Two of the most startling moments in the film lose all their shock factor if you’ve already watched the trailer, and that’s sad.

The movie also has Inspector Inderjit, played by Arjun Rampal. ‘Hot’, I’m sure is the correct terminology here. He is entirely convincing as an inspector who has been transferred to a small town and is waiting for a promotion so that he along with his family could shift back to the city.

The first half is gripping, and 100 percent entertaining. But the second half turns out to be slightly off track. While Sujoy Ghosh with his magical attention to detail has scripted out what was meant to be an amazing narrative, the second half drags, and is not as entertaining. The director also flavours the second half with subtle humour in the midst of intense moments. While I was with a theatreful of people laughing along at those subtleties, I felt like it might be taking the seriousness away from the issue of child sexual abuse. And the way CSA is dealt with in the movie is good, but not moving enough perhaps.

Powerful, strong and riveting, Vidya Balan gives a performance which is definitely worth watching multiple times. Arjun Rampal puts up a great show as well. The two childactors who play the character Mili are spot on. While the performances take Kahaani 2 a notch higher, a not-so-thoroughly thought out second half pulls it down.

Befikre quick movie review: Ranveer Singh, Vaani Kapoor shine in Aditya Chopra’s sweet rom-com

Befikre steers far away from a typical Yash Raj Films love story and deals with both the past and the present of its protagonists.

The past:

Dharam — played by an ebullient Ranveer Singh — is a stand-up comedian from Delhi. Dharam moves to Paris, the city of love and creativity and artistic endeavour, to perform at a bar that’s called Delhi Belly.

Shyra — the very photogenic Vaani Kapoor — works in Paris as a tourist guide. She was born to Indian parents, but her character is depicted as being very French.

Vaani Kapoor and Ranveer Singh in a still from 'Befikre'

Dharam meets Shyra at a party: He’s desperately trying to get a girl to go home with him for the night; she dares him to meet a challenge; he wins [cue Hindi song playing at a French nightclub] and they go home to enjoy a wild romp.

They clearly have the kind of chemistry that’s the stuff of romcom lore, but Shyra — in a reversal of the wham-bam-thank-you-ma’am trope, tells Dharam that she’s not interested in getting serious with him since she’s just been through a break-up. Fine, sex with no-strings-attached it is then.

So far, so good.

Of course, once is not enough and we see Dharam and Shyra embark on a wildly uninhibited relationship. As a throwback to their first meeting, Shyra keeps setting Dharam new dares and challenges. He fulfills them, and their spicy, somewhat kinky relationship moves forward. Finally, they decide that to live in together.

Cut to a different time, and we see Dharam and Shyra have come some distance from those first heady, explosive days. Now they’re in the apartment they share, hurling abuses at each other — the argument takes an ugly turn and they decide to part ways.

The present:

Can two individuals who’ve shared a past navigate new ground as friends? This is what Dharam and Shyra must confront in their present.

That they get to do this against the scenic backdrop of Paris is a huge bonus. Aditya Chopra has chosen some breathtaking settings as the location for his latest film, and as an viewer, one is glad for that.

What about the actors though? Do they match up to Paris?

Ranveer Singh makes for a perfect Dharam. He’s the quintessential Delhi brat who adapts quickly to life in Paris, and proves yet again why he’s considered among the most versatile actors of his generation. Vaani has a job keeping up, but is able to deliver what the role requires. Most of the first half is given over to visuals of the couple making out. (We’re not complaining.)

It helps that Befikre keeps things breezy and light during the first half. Fun and humour are sprinkled liberally throughout the first half and you’re ensured a feel-good time.

But does it also feel — well, frivolous?

Is there more to this film than its good looks?

Ranveer plays Dharam, while Vaani Kapoor is Shyra in Befikre'

***

Post-interval, we’re back in our seats, and ready to watch more of Dharam and Shyra’s adventures unfold. And boy! do they not disappoint.

Now far too many films of late have fallen prey to ‘the curse of the second half’. Everything’s hunky dory in the first, but after the interval, boom! the film loses its plot.

Surprise, surprise — Befikre does not suffer from this fate.

In fact, its second act lifts Befikre to a more beautiful level.

What do Dharam and Shyra get up to in the second half? We left them, dealing with a break-up, and trying to be ‘just friends’. The plot thickens when each of them gets into new romantic relationships. We can’t give more away other than saying, the duo has a lot to deal with.

[Spoiler alert] There’s an exceptional scene, set on a yacht where Ranveer Singh goes completely ‘befikre‘ and bares his derriere. And we’ll only say this: It is a sight to behold.

Does Befikre have a conventional happy ending? You’ll have to see the film to find out.

Does it any point seem clichéd? Yes, Dharam and Shyra’s journey, while fun, is hardly groundbreaking. But perhaps what works for Befikre, is that it does not try to be groundbreaking. Aditya Chopra’s first directorial venture in eight years plays to its strengths: It’s entertaining, beautiful and light.

When the Befikre trailer released, there were doubts over whether or not the film had more to it than seen in these promos. To be honest, there’s isn’t much else to the story beyond what’s seen in those trailers. But that’s not disappointing at all.

At a little over two hours, Befikre is short, sweet and a bonafide Bollywood rom-com.