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Ranbir Kapoor: ‘Not producer or superstar, I would always want to be known as an actor

Days before the release of a film, the idiosyncrasies of Ranbir Kapoor start resembling Aamir Khan: somewhat jittery, uneasy, impatient and restless.

The break slots between his various TV interviews are punctuated with mandatory cigarette breaks. The current persona of Ranbir Kapoor is a far cry from Ranbir Kapoor of last year or the year before that. Confidence, and a perpetual smile, have seeped into his body language, something that was missing till the time Ae Dil Hai Mushkil was declared a hit.

Ranbir Kapoor and Katrina Kaif in Jagga Jasoos. Image from Firstpost

So does that mean that success is the be all and end all? “Not at all. If you see any changes in me then it’s because of my failures. When I taste success, then my reaction is phew! This time got saved. Usually when failure hits you, it sort of sets your life in motion. You start thinking about your career, you get insecure. To be honest I don’t’ know what my existence is and as of now it is to be an actor,” says a pepped up Ranbir.

When it comes to adjectives for this actor, it’s always a dilemma. The man often comes across as the whole package, an amalgamation of all that’s best. So should we be calling him Ranbir Kapoor, the actor, the producer or the superstar?

“Of course I would like to be called an actor. I don’t think I am superstar but yes I am star. I get to work with directors like Anurag Basu. People are interested in my films, my life and my personal life so there is an interest in me but I would definitely like to be known as Ranbir Kapoor, the actor before anything else,” he says.

His polished upbringing, and impeccable manners reflect in his soft voice. The usual tantrums one witnesses when stars are around are missing and instead one gets to meet a bundle of talent whose head and heart are in the right place. Once its revealed to him that this interview will involve no camera, like a typical college goer, Ranbir decides to shift the venue to the fourth floor smoking lounge of Disney’s swanky office.

Though a non-smoker, his favourite ‘Dada’ is there to give him company. And the two in sight together brings me to my next question — if the jodi of Ranbir Kapoor and Anurag Basu is akin to the jodi of Martin Scorcese and Robert De Niro?

“That’s a long shot and it’s better to take one film at a time. We have done only one film and the second is due next month. To compare with a jodi of such a stature, you need to make at least four to five films.”

The last time the two came together; the end result was Barfi, a film that was all heart and carried no false notes. The camaraderie that Ranbir Kapoor and Anurag Basu shared during the Barfi phase looked genuine, and was smeared with the right amount of mutual respect of each other’s craft.

And now they both are back with Jagga Jasoos. So is Anurag Basu addictive?

“When you are working with him, he is not addictive but the result he brings is amazing. To be honest, people loved me in Barfi probably more than they liked me in say Rockstar or any other film of mine. I worked 200 per cent more in a film like Bombay Velvet but in Barfi whatever I did, was channelised by him. He takes too much of responsibility on his shoulders be it music, acting, cinematography, make up, choreography, he takes care of just about everything. We only have to support him and he will do the work for you.”

Ranbir furthers, “He is a pain in the ass to work with because he works under extreme chaos. There is nothing called a schedule or a first assistant director on his sets. There is nothing like bound screenplay, which you normally get at your house on the first day of the shoot. Everything is full of chaos and everything is all heart too. I have no memory of anything that did on the sets of Jagga Jasoos or Barfi.”

Jagga Jasoos also marks the debut of Ranbir Kapoor as a producer. If the very first film takes more than three years in making, it’s bound to make any producer jittery and nervous. When asked if the unexpected delay was heartbreaking, he has a different take on it. If one were to take a close look at the poster, it’s apparent that under the producer credit, Ranbir’s name is mentioned before Anurag. Did he discuss this issue with Anurag? “Absolutely, I pointed this out to him and he said No. He said it would be Siddharth, Ranbir and then him. We had this conversation earlier and he was very clear about this.

Shraddha Kapoor on Saina Nehwal biopic: ‘I can’t wait to learn (badminton) from her

The actress with the girl next door image, is thrilled to have bagged the ace badminton player Saina Nehwal biopic while she is in the midst of completing the other one, Haseena: The Queen of Mumbai, based on Dawood Ibrahim’s sister Haseena Parkar.

Gearing up for the release of Half Girlfriend (12 May), adapted from Chetan Bhagat’s novel, Shraddha talks to Firstpost on the exciting phase of her career her love for cinema, and her closest rival, Alia Bhatt. Excerpts from the interview:

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You have upped the glamour quotient for Half Girlfriend.

My character, Riya Somani comes from an affluent background from Delhi. She’s one of those girls who blow dries her hair, wears designer clothes and travels in big cars to college. She is the most popular girl in college with every guy wanting to date her. While everybody thinks that she is happy and has everything in life, she is not. She gets happiness with simple things like getting wet in the rains, for example. She meets Arjun’s character Madhav Jha and likes that simplicity in him.

Your character is a basketball player, and you are seen shooting hoops in the film. Was it fun?

It was both, fun as well as challenging. In school, I used to play basketball but I was a substitute player so I was called only if someone was injured or tired or unwell. That was the fun part in the movie, and now I can say that I have become a decent basket ball player. Training for that was really hard, I trained for almost a month.

And what about badminton since you will be soon doing a biopic on Saina Nehwal?

I loved badminton. I am sure most of us have played the sport in our residential complex, in our building compound. However good or bad, and I have some amazing memories of playing the sport in my building compound.

It is really very strange how I will be playing the former world number one badminton champion.

So what kind of prep you will be doing to play Saina Nehwal?

Basketball is just part of Half Girlfriend, but here the entire film will revolve around badminton as that is the crux of Saina’s biopic. I will have to train for a while. It is not going to be just for a month but for at least few months. The preparation for this film is going to be very, very challenging. It’s probably going to be my most difficult film till date. I can’t wait to learn from Saina herself. She is going to teach me the sport.

Have you met her?

I have spoken to her, we have exchanged messages but I am looking forward to spending time with her.

With films like Bhaag Milkha Bhaag, Mary Kom, MS Dhoni…the standards for sports biopics has been rising.  Do expectations make you anxious?

Absolutely. That’s why it is so important for me to give good time before the shoot of the film so that I can prepare well. I will have to train a lot. I am scared and excited at the same time.

Shraddha Kapoor, not Deepika Padukone, has been confirmed to play Saina Nehwal in a biopic based on the badminton ace

Some time back you were juggling between the two characters  – Haseena Parkar and Riya Somani. How difficult was that?

That was quite tough. While I was shooting for the Haseena biopic I had to do the dubbing and promotions of Half Girlfriend. Haseena and Riya Somani are two very different characters. It was definitely challenging in its own way to juggle back and forth from both the characters and to get in and out of two worlds, especially since it is for the first time that I am playing a grey character (in Haseena).

The reaction to the first poster was quite overwhelming and I hope people react to the teaser the same way. When you watch the film, you will know what Haseena went through in her life: losing her loved ones, her son, her brother dying right in front of her. It was quite difficult for me to feel those emotions.

It must have been tough shooting with those prosthetics for Haseena?

Yes, it was, but eventually it became a part of Haseena. But I had tried to gain weight for this film, and I did gain but everything went to one area (points towards her stomach). I have to get rid of it now for the Saina biopic. I was trying to gain weight on my arms but it didn’t happen. I was hoping that I gain weight on my face little more but I couldn’t get the desired results. Prosthetics helped and it gradually became part of my character.  It was needed when my character is in her late 30s and 40s.

Shraddha Kapoor in the first look of 'Haseena'

Do you believe in half girlfriend relationship?

Yes, I do feel that it exists. Now there is a movie been made on it, but my friends and I have experienced the situation when something is holding us back to commit to a relationship; I like this guy but I have to focus on my career; I want to be with him but I can’t. It is something halfway. But in certain situations, it is really sad that two people who like each other are not able to spend their lives together.

What is more challenging for you, fictional or real life characters like Haseena and Saina?

With Saina, because she is a living legend and youth icon, I will have to speak exactly like her, my body language will have to match hers and I will have to try to look like her. To be true to the real life person is challenging in its own way. While playing a fictional character, you can interpret it in your own way and add your imagination and thoughts.

Have you read Chetan Bhagat’s book?

I had started reading the book and I told Mohit (Suri, director) but he stopped me from reading any further and told me to read and connect with the script instead because he had made some changes. I have read just about 50 pages.

This is your third film with Mohit. Both of you have given big hits like Aashiqui 2 and Ek Villain. How was your experience this time round?

Mohit knows me a little too well but it was his wife Udita who pointed out few things that set us thinking. One day when I went to his house, Udita said that we have done two films together in which I had played the girl next door coming from a middle class family, from humble beginnings, so how will I play Riya Somani? How will the audience accept me?

He told me to incorporate the body language of high society girls from Delhi and made me meet some of those girls.

A still from the song. Image via Youtube.

I was supposed to observe them and adopt their style and mannerisms, how they speak and stuff.  And while I was talking to them, slowly my body language changed and I was sitting cross-legged, lady-like just like those girls. I found that whole process very interesting.

You began your career with films like Teen Patti and Luv Ka The End which were complete failures at the box office.  How do you look at your journey and career now?

Fridays can change an actor’s life and similarly Aashiqui 2 changed my life overnight.

From Aashiqui 2 till now I have had back- to- back releases. I feel grateful that I started off with failures because it teaches you, whereas with success everything moves smoothly and then we don’t strive hard to make efforts. You learn the most when something is not going right. I went through a tough time but it taught me a lot.

Saina had once said that she would want Deepika Padukone to do her biopic if it’s ever made. She had said that Deepika’s father has been a badminton player, that she had seen her playing badminton, and she played well. She would do justice to the role. What would you say to that?

I am not aware of that.  But I think Saina is quite happy with me too (laughs). I hope not to disappoint her. When I was offered Saina, I was very scared and I had asked the makers if they were sure about casting me. It is a massive effort to put and huge expectations to live up to. I will do my best. I hope people like my interpretation and effort as Saina.

 

You are one of those actors who have created a space in singing as well. Off late there’s been a debate with certain singers having a problem with actors turning to singing. As someone who has been on the other side as well, what do you think?

Whether it is singers, actors, directors, lyricists, or the media…we are all interconnected. We are all part of a creative medium. We have a large responsibility to support each other and help each other grow. If an artist has a dream to become singer, actor or dancer, then nobody has the right to object. It is better to be in a supportive environment

Your contemporary, Alia Bhatt is a big draw, and she has a huge fan following. Is she a threat to you?

I get inspired from her because she is doing such good work. It is very important to not only support each other but it is also important to celebrate the other person’s success.

Tomorrow, if I am offered a film with Alia, I would love to do.

 

How is Arjun Kapoor as a co-star?

He is very eloquent and an expressive guy. He’s got this inherent innocence which is heart-warming.

So where do you see yourself five years from now?

I don’t know beyond Saina. I’m going with the flow. But at present I am really excited about the Saina biopic.

Half Girlfriend: Arjun Kapoor may play ‘Bihari boy’ Madhav Jha, but doesn’t sound like one

Somewhere along the line, Bihar has become Bollywood’s shorthand for colorful thuggery or rustic idiocy. If Hindi films are anything to go by, the only stories about Bihar worth telling highlight its lawlessness and penury.

In Apaharan, director Prakash Jha attempted to expose the thriving kidnapping industry in Bihar while his Gangajaal was spun around the infamous Bhagalpur blinding case. The badlands of Bihar were the backdrop of the blood-soaked rivalry between generations of gangsters in Anurag Kashyap’s two-part Gangs of Wasseypur. And then there was the extremely cringe-inducing Padmashree Laloo Prasad Yadav that ends with the politician addressing the lead characters.

Biharis have been living with this stereotype, for better and for worse, for a few decades now. So, it’s a relief to see a basketball-playing Stephenian from Patna in Mohit Suri’s Half Girlfriend. In case you haven’t read the Chetan Bhagat novel the film is based on, Half Girlfriend is about Madhav Jha, a bumbling Bihari boy (Arjun Kapoor) who falls in love with a rich Delhi girl Riya Somani (Shraddha Kapoor).

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Thankfully, Madhav will not join the long list of gun toting, gaali giving Bihari characters the Bollywood audience has come to know. While there might not be a crime in the film, if the promos are anything to go by, the collective Bhojpuri accent in the film could qualify as an assault (Arjun’s “Ee haph girlphriend hota kya hai?” in the teaser was enough to make my ears bleed).

Peppering dialogues with chiradiya and kahe; replacing ‘z’ with ‘jh’ so ‘zindagi’ becomes ‘jindagi’; or, saying ‘hum’ instead of ‘main’ and kijiyega and lijiyega instead of karo/lo is not enough to sound Bihari. The ‘kaa’ in ‘kaa ho’ isn’t just a ‘ka’ or a ‘kaa’ but a sonorous ‘kaa’ with unique glottal articulation. Even after all these decades of Bihari characters, Bollywood mostly seems unable to decipher the nuances of intonation that go with getting the accent right. It’s not easy to put a finger on it but it’s probably the correct pitch levels while handling vowels that let most of our actors down.

A recent offender was Alia Bhatt in Udta Punjab. As the nameless Bihari hockey-player-turned-migrant-labourer, the actress was in top form. Subjected to rape and drugs, she brought out the vulnerability and resilience that had me rooting for her. But only after I made a conscious effort to not hear her accent. Though Alia had actor Pankaj Tripathi (Gangs of Wasseypur, Nil Bateye Sannata and more recently, Anarkali of Aarah) as a dialect coach for the film, her accent rang false. Aside from Alia, everyone else in the film sounded 100 percent real. “She sounds like a Juhu girl trying to talk like her Bihari maid. It’s all wrong,” scoffed a fellow Bihari who I watched the film with.

There’s a thin line between sounding like a caricature and realistic. On the other end of the spectrum is director Avinash Das’s debut film Anarkali of Aarah. Swara Bhaskar’s Anarkali sounds so authentic; I could close my eyes and be instantly transported to Gopali Chowk in the heart of Aarah. A half Bihari in real life, Swara might have never lived in the state, but she knows how to lean-in just so on the last word of a sentence.

What actors and directors don’t understand is that there isn’t one Bihari accent but hundreds of them, dialect-by-dialect, town-by-town. I am told the only time my Bhojpuri accent surfaces is when I speak with my parents. During those conversations, to some non-Bihari friends I sounded like Amitabh Bachchan (from Namak Halal and Don). He spoke Hindi with an Awadhi accent in those films and not Bhojpuri but I am nitpicking. After the release of Gangs of Wasseypur, I got a lot of “but you don’t sound like a Faisal, sorry Phaijhal”.

With accents that are as tuneful as Bihari, if you get the pitch wrong people really notice. Dialects and accents have very rarely been the focus of a performance in Bollywood. In the last few years, actors like Kangana Ranaut and Aamir Khan have successfully sounded like their Haryanvi characters in Tanu Weds Manu Returns and Dangal with the help of diction coaches. It’s not very tough to sound Bihari if you really want to.

Kareena Kapoor Khan on Rangoon: ‘Some films are beyond box office collections

We don’t know Saif Ali Khan’s reaction to the box-office fate of Rangoon yet, but his wife and actress, Kareena Kapoor Khan is totally unfazed.

When asked what she feels about the dismal box office earnings of the period drama, Kareena said, “Vishal Bhardwaj’s films are art, it is like a painting. You either like his films or you don’t. It is not like a typical commercial film that is going to cater to everybody’s taste and sensibilities, he caters to a certain section of audience and that is why some critics have revered it and called it a piece of art. Vishal Bhardwaj is known for that. So when you do a film like that, with a lot of love for cinema, the actors get lot of appreciation. Some films are beyond box office collections.”

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She further added, “Saif has been in the industry for 25 long years. He is beyond success or failure of his movies.”

Earlier, during Rangoon’s special screening, Kareena was all praises for the film and went on to say that she was expecting it to be one of the best films of the year. Kareena had earlier been a part of Bhardwaj’s 2006 release Omkara, which also had Saif in his finest performance as Langda Tyagi, though the duo were not cast opposite each other in the movie.

New mommy on the block may be taking it easy after the arrival of baby Taimur, but come May, the actress will be back where she belongs – in front of the camera.

She will bounce back into action and kickstart the shoot of Veere Di Wedding in May. Veere Di Wedding is Rhea Kapoor’s ambitious chick flick, which also stars Sonam Kapoor, Swara Bhaskar and Shikha Talsania. Kareena said that she is currently utilizing the time for getting back into shape. “The preparation for the film is just hitting the gym, that is the only focus as of now,” laughs Kareena, who doesn’t regret losing out on the fourth instalment of the Golmaal series to Parineeti Chopra.

Kareena was part of the last two instalments of Rohit Shetty and Ajay Devgn’s comedy but had walked out of the film owing to her pregnancy. “I couldn’t have done Golmaal. I am at a stage when I am also not ready to start a film before May. It wouldn’t have worked out,” she says.

“But yes,” she continues, “I am definitely reading scripts. I have worked throughout my pregnancy but now Veere De Wedding is a priority. Once that finishes I will take up something else because I can’t do two films at one time. I need to balance things out. Priorities keep changing in life. First I was married and now I have a family, I have always done multi-tasking, something women understand that they have to do.” She further states, “Even after marriage, it was always one film at a time. I would always want to finish a film, take a break and then go for the next. Both, Saif and I am going to maintain that.”

Alongside her movie career, Kareena has for the first time entered the television space and a soon-to-be-launched factual entertainment channel has roped her as its ‘Feel Alive’ ambassador. The channel, among other things, will talk about saving earth, adventure sports, wild life and global warming.

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Further, talking about the “adventure” and “journey” of motherhood, Kareena says, “It has been just two months and adventure has just started, there is a lot to look forward to. I will experience as it comes because the journey of every mother is their own. It is such a personal experience. Tomorrow, even if my sister Karisma has to give me tips or advice, I will tell her, ‘Listen, this is your journey, it is like your relationship with your son. I am taking it as it comes.”

Does she have sleepless nights? “I would call them as more joyous nights than sleepless nights. It is so exciting. I won’t even want to think that I’m losing out on my sleep; it is a joy and pleasure to be up with him.”

While Kareena evaded the controversy surrounding her newborn’s name, she did touch upon the media focus on her pregnancy. So did it seem like an intrusion into her experience?

“Being a celebrity anything is an intrusion. Of course, pregnancy is something that I chose to share with everyone, I didn’t want to hide. Lot of women, when pregnant, probably wouldn’t want to go out or continue with normal things. The amount of advertisements I shot for, the brands or campaigns I shot for when I was pregnant was as much as I probably shot for when I was not. That is the way I chose to live my life,” says Kareena, further adding, “this is always the personality that people and my fans relate to and I am a happier person when I try not to hide things from them.

Koffee with Karan season 5: Shahid and Mira Kapoor, get a room

In the latest episode of Koffee with Karan, Shahid Kapoor and his wife Mira were so mushy, in-love, and all about each other that we felt like asking them to get a room (or go home).

For their first public appearance together, this was quite a memorable one. Quick flashback: the duo announced their marriage in 2015 amid many rumours. It was an arranged one and had the whole country talking. They were wedding in a lavish ceremony. Whatever questions you had about the couple, this episode of Koffee with Karan definitely answered most of them.

Karan Johar being himself, started the show by addressing the elephant in the room: in his last few appearances on the show, Shahid appeared with all his rumoured love interests, Kareena, Priyanka, and Sonakshi. While Karan took Shahid’s case on this, Mira seemed unfazed and quite sporting.

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This was followed by multiple stories of how Shahid and Mira met for the first time. Sample these: When both families gathered together to discuss Shahid and Mira’s wedding, the duo were unaware. They were assuming that the match being spoken about was Shahid’s younger brother Ruhaan, and Mira (because their ages are similar). Upon meeting for the first time, Shahid and Mira spoke for 7 hours, non-stop. It was after meeting a couple of times did they decide to get married, but when Shahid met Mira’s father for the first time, he was prepping for Udta Punjab. Which means that his father-in-law saw him in his Tommy Singh avatar (ouch).

However, this story takes the cake. During their first meeting, Shahid asked Mira why she wants to marry someone much older to her. Mira’s response was, “why do you want to marry someone much younger? That’s much worse.”

One of the first judgments you make about Mira (let’s face it, we were all judging her, this is the woman’s first TV appearance), is that she’s unlike a “star wife”. She seems quite real, and it shone in one particular anecdote. When Karan asked her how she manages at film parties, she revealed that she actually likes meeting new people and hearing stories about a world she is not a part of. But more importantly she had no reason to feel weird or out of place.

Mira left no opportunity to make fun of Karan Johar (woot woot). When they played a game called “pillow talk”, Johar asked Mira what she says to Shahid every night before sleeping. When she revealed it was, “I love you,” Karan in his trademark style said, “I feel like I’m watching some Valentine’s Day special”, to which Mira said, “it’s like you’re watching one of your own movies.”

The flavour of being real must have transferred to potentially one of the most histrionic host on Indian TV, because when Karan Johar asked Mira things about Bollywood she doesn’t like, she said, “Airport looks and nepotism,” to which he responded, “the latter might be directed at me”.

Suffice it to say, this was one of the most candid episodes, where love was not just in the air but pretty much everywhere (this rhyme was as cliched as the couple, Shahid and Mira).

Befikre quick movie review: Ranveer Singh, Vaani Kapoor shine in Aditya Chopra’s sweet rom-com

Befikre steers far away from a typical Yash Raj Films love story and deals with both the past and the present of its protagonists.

The past:

Dharam — played by an ebullient Ranveer Singh — is a stand-up comedian from Delhi. Dharam moves to Paris, the city of love and creativity and artistic endeavour, to perform at a bar that’s called Delhi Belly.

Shyra — the very photogenic Vaani Kapoor — works in Paris as a tourist guide. She was born to Indian parents, but her character is depicted as being very French.

Vaani Kapoor and Ranveer Singh in a still from 'Befikre'

Dharam meets Shyra at a party: He’s desperately trying to get a girl to go home with him for the night; she dares him to meet a challenge; he wins [cue Hindi song playing at a French nightclub] and they go home to enjoy a wild romp.

They clearly have the kind of chemistry that’s the stuff of romcom lore, but Shyra — in a reversal of the wham-bam-thank-you-ma’am trope, tells Dharam that she’s not interested in getting serious with him since she’s just been through a break-up. Fine, sex with no-strings-attached it is then.

So far, so good.

Of course, once is not enough and we see Dharam and Shyra embark on a wildly uninhibited relationship. As a throwback to their first meeting, Shyra keeps setting Dharam new dares and challenges. He fulfills them, and their spicy, somewhat kinky relationship moves forward. Finally, they decide that to live in together.

Cut to a different time, and we see Dharam and Shyra have come some distance from those first heady, explosive days. Now they’re in the apartment they share, hurling abuses at each other — the argument takes an ugly turn and they decide to part ways.

The present:

Can two individuals who’ve shared a past navigate new ground as friends? This is what Dharam and Shyra must confront in their present.

That they get to do this against the scenic backdrop of Paris is a huge bonus. Aditya Chopra has chosen some breathtaking settings as the location for his latest film, and as an viewer, one is glad for that.

What about the actors though? Do they match up to Paris?

Ranveer Singh makes for a perfect Dharam. He’s the quintessential Delhi brat who adapts quickly to life in Paris, and proves yet again why he’s considered among the most versatile actors of his generation. Vaani has a job keeping up, but is able to deliver what the role requires. Most of the first half is given over to visuals of the couple making out. (We’re not complaining.)

It helps that Befikre keeps things breezy and light during the first half. Fun and humour are sprinkled liberally throughout the first half and you’re ensured a feel-good time.

But does it also feel — well, frivolous?

Is there more to this film than its good looks?

Ranveer plays Dharam, while Vaani Kapoor is Shyra in Befikre'

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Post-interval, we’re back in our seats, and ready to watch more of Dharam and Shyra’s adventures unfold. And boy! do they not disappoint.

Now far too many films of late have fallen prey to ‘the curse of the second half’. Everything’s hunky dory in the first, but after the interval, boom! the film loses its plot.

Surprise, surprise — Befikre does not suffer from this fate.

In fact, its second act lifts Befikre to a more beautiful level.

What do Dharam and Shyra get up to in the second half? We left them, dealing with a break-up, and trying to be ‘just friends’. The plot thickens when each of them gets into new romantic relationships. We can’t give more away other than saying, the duo has a lot to deal with.

[Spoiler alert] There’s an exceptional scene, set on a yacht where Ranveer Singh goes completely ‘befikre‘ and bares his derriere. And we’ll only say this: It is a sight to behold.

Does Befikre have a conventional happy ending? You’ll have to see the film to find out.

Does it any point seem clichéd? Yes, Dharam and Shyra’s journey, while fun, is hardly groundbreaking. But perhaps what works for Befikre, is that it does not try to be groundbreaking. Aditya Chopra’s first directorial venture in eight years plays to its strengths: It’s entertaining, beautiful and light.

When the Befikre trailer released, there were doubts over whether or not the film had more to it than seen in these promos. To be honest, there’s isn’t much else to the story beyond what’s seen in those trailers. But that’s not disappointing at all.

At a little over two hours, Befikre is short, sweet and a bonafide Bollywood rom-com.

My son looks exactly like me': Tusshar Kapoor on becoming a father

Tusshar Kapoor reveals that he has become a father to a son through in vitro fertilization procedure and says that his son Laksshya looks exactly like him.

“I wanted to be a father. I met Dr. Firuza Parikh and she suggested this procedure. I was in a hurry to become a father.. I am turning 40 in a few months, so I felt I was in the right stage to become a single parent and I went ahead with what was told to me.

“I am happy that I have taken the right decision. Our family is complete now, we are five now, grandparents, me, my sister and little Laksshya,” Tusshar said while addressing the media at his residence.

Tusshar didn’t reveal the date of birth of his son but said that he came home a week back and was sleeping during the course of the media interaction.

Courtesy: ibn live

“I wanted to be a single parent, my dream has come true. My son looks exactly like me, so it makes me very happy. I have no words to express how excited or joyous I feel right now.

“It’s just your paternal instinct when you feel mentally that you are ready to become a father… Lot of people adopt, but I didn’t want to adopt, I wanted to have my own child.”

Previously, both superstars Aamir Khan and Shah Rukh Khan conceived their third child through the IVF and surrogacy procedure.

A conversation with Rajneeti director Prakash Jha, who has an adopted daughter, was one of the reasons behind Tusshar’s decision.

“I had visited Tirupati temple last year and while I was leaving after the darshan, I met Prakash Jha who was also in my flight. And in our conversation he said that ‘this (IVF) is also a way if you want to have a child, if you want to be a single parent’. He introduced me to a family who had followed the IVF and surrogacy procedure. So I felt very inspired and felt I was ready,” Tusshar said.

Actress Sushmita Sen is a single mother to two adopted daughters.

Baap ka maal samajh rakha hai?’ Rishi Kapoor attacks naming of public institutions after Nehru-Gandhis

Rishi Kapoor is a man not known to mince his words. He believes in speaking his mind — and on Twitter, where he tweets under the handle of @chintskap, and has over 1 million followers — he has quite the audience for sharing his “mann ki baat”.

In the night hours, especially, Rishi is known to be quite the prolific tweeter, taking on everything that happens to have invited his ire.

Most recently, the Kapoor & Sons actor, has a bee in his bonnet over the renaming of public institutions after politicians. Specifically, the Nehru-Gandhi dynasty.

Rishi Kapoor. File photo/IBN

In a series of tweets on Tuesday night, Rishi attacked this trend, and wondered why the names of illustrious cultural ambassadors — such as Kishore Kumar, Manna Dey, Lata Mangeshkar, Dev Anand, Raj Kapoor, Amitabh Bachchan — or eminent industrialists like JRD Tata, were not used for more public institutions.

Among the institutions whose names he took umbrage with were the Rajiv Gandhi Sea Link (better — and more prosaically — known to Mumbai residents as the Bandra-Worli Sea Link) and the Indira Gandhi International Airport in New Delhi.

“We must name important assets of the country (after people) who have contributed to society. Har cheez Gandhi ke naam? I don’t agree. Sochna log!” Rishi tweeted, adding in another post, “Baap ka maal samajh rakha hai?

This is not the first time Rishi has tweeted his thoughts about the Gandhi family. A few days ago, he had tweeted about  the AgustaWestland scam, while in April 2015, when there was a lot of media attention on Rahul Gandhi’s return to India after a sabbatical, the veteran actor had tweeted: “Why this fuss and hullabaloo? Someone just back after a holiday yaar give him a break. When is he to enjoy his money? In faltu days na? Samjho“.

‘Good and new stories need to be told': Shahid Kapoor on ‘Udta Punjab’

Mumbai: Actor Shahid Kapoor says his upcoming film Udta Punjab on substance abuse is not an issue of just one state and needs to be addressed on a pan-India level.

“For Haider, we used Kashmir as the backdrop but the story was human journey. An issue that is of one state can be an issue of entire country. It’s not that we are saying through this film that the issue exists only in one state, it is just that we chose Punjab as the backdrop,” Shahid told reporters last night at the film’s trailer launch.

“It is an issue that needs to be addressed… It’s a real issue for parents and children. It is courageous on part of our director Abhishek Chaubey to talk about it,” he said.

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The Jab We Met star hopes the audiences understand the context of the film. “It’s a fictional film with fictional characters but it has an important issue. I hope people will take it in the right context.” Shahid, who plays a Punjabi pop star in the film, said it was difficult for him to get  into the skin of the character as it is was a “loud” one, unlike of his real self.

“When I heard the role of Tommy Singh it had to be nothing like me. He is a Punjabi pop star who is a substance addict. He is not a regular guy. I had to work on my body and look.  The most difficult part was to get into the head of this character like why he behaves like this, why is he so eccentric and mad. Those who are addicts are often hyper and eccentric. Usually I prefer to do less loud characters,” he said.

On his on-screen rockstar look where he is seen sporting long hair and tattoos on body, Shahid said, “Abhishek Chaubey was concerned with what I was doing with my hair we had discussions over it and then things worked out. I did not want to get a body of a body builder I wanted it of someone who has abused himself. We worked a lot on that.” Given the unusual subject of the movie and his character, the 35-year-old star says telling a new story always involves a certain amount of risk.

“I think good and new stories needs to be told. If you don’t do it that way then you will never be able to discover things yourself and never be original. I feel new things are always risky,” he said. “The story of the film is honest and the intention of the film is to give message to audience.” he added. The film features Shahid Kapoor, Diljit Dosanjh, Kareena Kapoor Khan and Alia Bhatt in key roles.

Kapoor and Sons’ music review: Nothing exciting in this album apart from ‘Kar Gayi Chull

February is still wedding season, and I found myself speaking with a bunch of friends about what songs we could potentially dance to at an upcoming sangeet. The popular choice seems to Kar Gayi Chull from Kapoor and Sons and after hearing the song on loop, I begin to see why.

The beat and the chorus phrase are quite catchy, and let’s admit, it is pretty fun to dance to (try it). Plus, it has the ever-so-swagalicious Badshah, who is slowly overpowering Yo Yo Honey Singh as the drunken jam king.

But would you be terrible surprised if I told you that the only song worth its salt in the Kapoor and Sons soundtrack is Kar Gayi Chull?

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Based on a Haryanvi party anthem, originally helmed by Badshah, the Hindi version has very minor changes here and there (like Bollywood pop culture references to Raveena Tandon etc). It’s a fun song alright, but upon hearing the original, you’ll realise what a lazy adaptation/remix Kar Gayi Chull is.

Speaking of adaptations, Kar Gayi Chull isn’t the first one. It breaks my heart into many shattering pieces to inform that Let’s Nacho, the last song on this album, is a beat by beat ‘remix’ of Nucleya and Benny Dayal’s crazy song, Tamil Fever. The lyrics are switched to Hindi, and the end result is lines like these, “Kar dance full, romance full, oh baat sun“, while the melody remains (gloriously) the same.

It’ll be pointless to say that in both cases, the original is better mostly because they sound almost identical. There’s not much difference apart from the lyrics, but with the risk of sounding like a purist, I must say it escapes me as to why they couldn’t just use the original songs, untouched. Badshah’s Kar Gayi Chull is as fun as the film version, and Nucleya’s Tamil Fever is quite apt for the movie as the story is based in Coonnoor, Tamil Nadu. Questions, questions.

Moving on from mixed feelings to clear ones. The stock Arijit Singh ballad Bolna is almost entirely forgettable. It’s not even the sort of song that you hear a bunch of times and then it grows on you. It’s just a very average song that is made melodious because Arijit is a good singer.

Buddhu Sa Mann has a nostalgic ’90s feel to it, which could have been quite nice (read: Dard karara from Dum Laga Ke Haisha) but it ends up being far too generic, with a couple of (forced) lines sung in English as well. It sounds like a tweaked version of Sooraj dooba hai‘ from Roy, which won both songs’ composer Amaal Malik several awards.

Similarly, Saathi rey comes across as the quintessential sad song, used at a crucial plot point in the film. However, it’s important to note here that each song in this album has its own composer, and this song has been sung and composed by Arko, who has an unique voice suited for pensive, intense songs. This one’s a win.

It’s quite sad that it will be very hard to remember the remaining three songs (other than Kar gayi chull and Let’s nacho) for more than a couple of weeks. Nothing about them stands out and only a viewing of Kapoor and Sons will tell us whether they contribute to the plot of the film or not.