Tag Archives: films

Phillauri actress Mehreen Pirzada on Anushka Sharma, her Bollywood debut and Telugu films

Five years ago, when Mehreen Pirzada was working in New York, little did she know that, one fine day, she would pursue an acting career in films.

In 2013, when she took part in the Miss South Asia Canada beauty pageant in Toronto, Mehreen was supposed to dance in one of the rounds at the beauty pageant. She had to pick a chit which had a celebrity’s name and it turned out to be, well, Anushka Sharma herself.

“I danced on the song ‘Jiya Re‘ from Jab Tak Hai Jaan,” Mehreen laughs recounting the story. “Ever since, I was hoping that I would get a chance to work with Anushka. I believe in fairy tales. I’m living one right now. Three years later, after six rounds of auditions in early 2016, I finally got a call. It was while I was watching Tom McCarthy’s Spotlight. I had to come to Mumbai and meet Anushka Sharma, who’s one of the producers of Phillauri. Suddenly, I felt like I was under a spotlight.”

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Ask her if Anushka knows this story, Mehreen beams with joy saying, “Yes. When I shared my story with her, she was surprised. And then, she told me that a long time ago, her mother had written a chit where she wished that her daughter should act in a Yash Raj film when she grows up. Finally, when she bagged Rab Ne Bana Di Jodi, her mother showed her the chit. I couldn’t help but blush when she told me this story.”

In Phillauri, Mehreen plays Anu, a young woman who is about to get married to her childhood sweetheart Kanan, played by Suraj Sharma. When he’s told that he’s mangalik and has to get married to a tree to ward off evil, he ends up meeting a friendly spirit Shashi (Anushka Sharma). The film is, in a way, a study on how love is the same no matter what the time frame is. “The story constantly keeps going back and forth. Anshai Lal and writer Anvita Dutt have weaved an interesting story about how love doesn’t change even though time changes,” the actress adds.

Being the youngest member of the cast, she admits to being quite pampered on the sets of Phillauri.

“I was the youngest and newest member of the team. All my co-stars – Anushka, Diljit Dosanjh and Suraj Sharma are well-established, but never made me feel out of place. I’m very critical of my own work and want to deliver my best. One time, when I was quite upset that I didn’t get a shot right, and Anushka got to know that I cried the whole night. The next day she came and hugged me and said, ‘Arey pagli…kya hua tujhe? Why were you crying? We’re all there for you.’

“I didn’t expect such a sweet gesture from her. She treated me like her own sister. The best thing about her is that she is quite straight forward as a person” said Mehreen.

Having grown up in Punjab, before her family moved to Canada, Mehreen is well-versed with the nuances of the Punjabi culture; however, she disagrees that it was a major factor behind why she bagged the role. “We are actors and the only thing that matters is how much we soak in the characters and make them our own. I act in Telugu films and when I’m shooting there, I’m a Telugu girl,” she avers.

So, does she have plans to go back to Canada in near future? “Only if I have to shoot there,” she laughs, adding, “I’m really glad that I spent the formative years of my life in USA and Canada. It has helped shape my personality. Back there, you are on your own and you do things to make yourself happy, not others.”

The actress made her debut in Telugu cinema in early 2016 with Krishna Gaadi Veera Prema Gadha in which she played Nani’s romantic interest. Despite the success of the film, she had to wait for nearly 10 months to bag her next project and currently, she’s on a roll with as many as five Telugu and Tamil films to her credit.

Says Mehreen, “I was going through a low phase after making my acting debut. I knew the film had done well, but I wasn’t getting any offers. I can’t sit idle at home because it makes me feel restless. However, I didn’t let this negativity get the better of me. Thankfully, things are looking good at the moment with plenty of work. Right now, I’m as excited as a school kid about my debut in Bollywood. I had a similar feeling when I was awaiting the release of Krishna Gaadi Veera Prema Gaadha and now, I’m going through the same thing again.

Kareena Kapoor Khan on Rangoon: ‘Some films are beyond box office collections

We don’t know Saif Ali Khan’s reaction to the box-office fate of Rangoon yet, but his wife and actress, Kareena Kapoor Khan is totally unfazed.

When asked what she feels about the dismal box office earnings of the period drama, Kareena said, “Vishal Bhardwaj’s films are art, it is like a painting. You either like his films or you don’t. It is not like a typical commercial film that is going to cater to everybody’s taste and sensibilities, he caters to a certain section of audience and that is why some critics have revered it and called it a piece of art. Vishal Bhardwaj is known for that. So when you do a film like that, with a lot of love for cinema, the actors get lot of appreciation. Some films are beyond box office collections.”

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She further added, “Saif has been in the industry for 25 long years. He is beyond success or failure of his movies.”

Earlier, during Rangoon’s special screening, Kareena was all praises for the film and went on to say that she was expecting it to be one of the best films of the year. Kareena had earlier been a part of Bhardwaj’s 2006 release Omkara, which also had Saif in his finest performance as Langda Tyagi, though the duo were not cast opposite each other in the movie.

New mommy on the block may be taking it easy after the arrival of baby Taimur, but come May, the actress will be back where she belongs – in front of the camera.

She will bounce back into action and kickstart the shoot of Veere Di Wedding in May. Veere Di Wedding is Rhea Kapoor’s ambitious chick flick, which also stars Sonam Kapoor, Swara Bhaskar and Shikha Talsania. Kareena said that she is currently utilizing the time for getting back into shape. “The preparation for the film is just hitting the gym, that is the only focus as of now,” laughs Kareena, who doesn’t regret losing out on the fourth instalment of the Golmaal series to Parineeti Chopra.

Kareena was part of the last two instalments of Rohit Shetty and Ajay Devgn’s comedy but had walked out of the film owing to her pregnancy. “I couldn’t have done Golmaal. I am at a stage when I am also not ready to start a film before May. It wouldn’t have worked out,” she says.

“But yes,” she continues, “I am definitely reading scripts. I have worked throughout my pregnancy but now Veere De Wedding is a priority. Once that finishes I will take up something else because I can’t do two films at one time. I need to balance things out. Priorities keep changing in life. First I was married and now I have a family, I have always done multi-tasking, something women understand that they have to do.” She further states, “Even after marriage, it was always one film at a time. I would always want to finish a film, take a break and then go for the next. Both, Saif and I am going to maintain that.”

Alongside her movie career, Kareena has for the first time entered the television space and a soon-to-be-launched factual entertainment channel has roped her as its ‘Feel Alive’ ambassador. The channel, among other things, will talk about saving earth, adventure sports, wild life and global warming.

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Further, talking about the “adventure” and “journey” of motherhood, Kareena says, “It has been just two months and adventure has just started, there is a lot to look forward to. I will experience as it comes because the journey of every mother is their own. It is such a personal experience. Tomorrow, even if my sister Karisma has to give me tips or advice, I will tell her, ‘Listen, this is your journey, it is like your relationship with your son. I am taking it as it comes.”

Does she have sleepless nights? “I would call them as more joyous nights than sleepless nights. It is so exciting. I won’t even want to think that I’m losing out on my sleep; it is a joy and pleasure to be up with him.”

While Kareena evaded the controversy surrounding her newborn’s name, she did touch upon the media focus on her pregnancy. So did it seem like an intrusion into her experience?

“Being a celebrity anything is an intrusion. Of course, pregnancy is something that I chose to share with everyone, I didn’t want to hide. Lot of women, when pregnant, probably wouldn’t want to go out or continue with normal things. The amount of advertisements I shot for, the brands or campaigns I shot for when I was pregnant was as much as I probably shot for when I was not. That is the way I chose to live my life,” says Kareena, further adding, “this is always the personality that people and my fans relate to and I am a happier person when I try not to hide things from them.

Masaan actress Shweta Tripathi is back in Haraamkhor: Why she stays away from ‘mindless’ films

Mumbai: Her maiden feature film Masaan made critics take note of her performance and actress Shweta Tripathi says she wants to stay away from “mindless” cinema where she is reduced to being looked upon as an object.

Shweta garnered rave reviews for the 2015 Neeraj Ghaywan film where she played the upper-caste lover of Vicky Kaushal’s Dalit character.

Shweta Tripathi. Image from News 18

The actress finds the cinema of Zoya Akhtar “commercial, yet not insulting your intelligence”, but does not understand mindless films.

“I dont watch the kind of cinema where people say leave your brain at home and watch. What is even that? I would never want to be treated as a prop, to be looked on as an object just because of my gender. That I am very sure about,” Shweta told PTI.

“If I am doing something which is making a difference in the story then Ill do it. But not because I am wearing certain clothes and doing nothing,” she added.

Though the National Award-winning Masaan became her first big release, Shweta had previously worked in the short film Sujata, part of Shorts — an anthology of five short films.

It was directed by Shlok Sharma, with whom she is now back with the latest Haraamkhor.

The film chronicles a relationship between a 14-year-old girl, played by Shweta and her tuition teacher, Nawazuddin Siddiqui, in a small town.

For the actress, the subject was never an issue and she insists she found out many cases like these once she started talking to people about this.

“It never worried me at all. But this happens everywhere. When I got out of my cocoon, I realised these are the stories which need to be told. I didn’t think it will run into any controversy, or it’ll have any problem with the Censor Board.”

The film, however, did run into trouble with the Examining Committee of Central Board of Film Certification (CBFC), which declined to pass the movie as the theme was “unacceptable.”

“When that happened, I used to call Shlok every now and then. More than frustrating, it was heartbreaking. When there was a meeting with the board, I went there even though I wasn’t needed.”

“When you are trying to do something right, tell an important story to the society without the intention of titillating, then you do ask ‘why us’? That moment came when the film was stuck.

Jolly LLB 2, Toilet, 2.0 and Pad Man: What Akshay Kumar’s slate of films looks like in 2017

Mumbai: On New Year’s Day on Sunday, Bollywood star Akshay Kumar shared with his fans his line-up of films for the calendar year, asking them for love and luck.

Akshay Kumar. File photo

He tweeted: “Busy summing up the year gone by? It’s time to not look back, but look ahead. Here’s what my 2017 looks like. Your thoughts, love and luck needed.”

The actor then went on to share the names of the films along with their photographs.

The first one is his upcoming courtroom comedy drama film Jolly LLB 2. Directed by Subhash Kapoor, the film also features Huma Qureshi and Annu Kapoor.

In the trailer, Akshay looks promising as a lawyer while he tackles the corrupt with some comical elements.

Toilet — Ek Prem Katha is the second. Directed by Shree Narayan Singh, it also stars Bhumi Pednekar and Anupam Kher, and is slated to release on June 2.

Then Akshay will be seen in Tamil science-fiction action thriller 2.o along with superstar Rajinikanth.

In the film, which is being directed by Shankar, Rajinikanth plays a scientist, and he will also be seen as Chitti robot. Akshay plays the prime antagonist in the film, which will hit the screens worldwide during Diwali 2017.

The fourth project that Akshay has in his kitty for 2017 is Pad Man. It is said to be a biopic on Arunachalam Muruganantham, and will chronicle his journey of finding a way to make cheap, affordable sanitary napkins for women in his village.

Dilwale Dulhaniya Le Jayenge to Ae Dil Hai Mushkil: Bollywood loves naming films after hit songs

Dilwale Dulhania Le Jayenge still runs successfully at Maratha Mandir today. What runs along with it in the film industry, are all the DDLJ clichés that the film gave birth to, in 1995. The train sequence, lovers running and uniting in the fields and the girl’s furious father letting go of his daughter in the climax – all these scenes became historic and, in turn, the formula for all commercial entertainers.

Ae Dil Hai Mushkil borrows its title from the Johnny Walker's iconic song from the 1956 film CID.

An unnoticed trend or formula that Aditya Chopra’s film injected into the veins of the industry was that of dedicating the title of the film to the name of a famous song. Dilwale Dulhania Le Jayenge was the name of a song from Yash Raj Films’ 1974 movie Chor Machaye Shor starring Mumtaz and Shashi Kapoor.

Chopra, who was just four years old at the time of the release of the film, is likely to have imbibed the dialogues, scenes and songs of his legendary father Yash Chopra’s films. Thus, while selecting a title of his directorial debut, he chose one of the famous songs that he grew up listening to. The title fit into the context of the film aptly as well.

What followed was a trend of naming films after famous songs as a formula, on the director’s part, to replicate DDLJ’s momentous success. One of the first attempts at executing the formula was in the 1998 Sohail Khan directorial Pyar Kiya Toh Darna Kya starring Salman Khan and Kajol.

The film could have been named anything else but Khan chose to bank on the popularity of the legendary song from K Asif’s 1960 historical drama Mughal-e-Aazam. The film emerged successful and the trend of naming films after famous songs continued.

While intertextuality was not a new phenomenon in Hindi cinema, these allusions to popular songs gained traction as a mere market trend. There were several instances when the title of the film had little to do with the story but was used nonetheless as the song it was named after had immense recall value among its target group.

For example, Samir Karnik’s 2011 comedy Yamla Pagla Deewana was named so to attract the fans of Dharmendra to cinema halls. The film was nothing more than an ode to the revered actor and the fact that he was sharing the screen space with his sons Sunny and Bobby Deol for the first time. The right packaging, in which the title played a crucial role, ensured the film was a huge success at the box office, though it was panned by the film critics.

Similarly, after Ranbir Kapoor had a flawed launch vehicle in Saawariya, Yash Raj Films decided to capitalise on their own formula when they re-launched Kapoor through the film Bachna Ae Haseeno, named after his father Rishi Kapoor’s iconic song from the 1977 action film Hum Kisi Se Kum Naheen. The film worked and launched the fourth generation star in the process. Incidentally, another film of Ranbir, Yeh Jawaani Hai Deewani was named after the title song of his uncle Randhir Kapoor’s 1972 film Jawani Diwani. The titles of the two films were in tune with Ranbir’s characters but at the same time, they indicated the fact that Ranbir is carrying forward his family legacy.

There were a few films which took their titles from popular songs but presented it in an entirely new light. The most recent example is Karan Johar’s Ae Dil Hai Mushkil. The title is inspired from Johnny Walker’s historic song from the 1956 film CID. Though the context of that song was the trials that one faces while making his ends meet in Mumbai, Johar’s version turned into an anthem for unrequited lovers.

Another good example is Farah Khan’s Om Shanti Om, which was a complete detour from Rishi Kapoor’s song from the 1980 thriller Karz. Though both the films were based on the theme of reincarnation, the title had little to do with the coincidence. It alluded to the characters of the film, Shantipriya and the two incarnations of Om.

Another interesting example is Rakesh Roshan’s Koi Mil Gaya. The title referred to a dance number in Johar’s Kuch Kuch Hota Hai. Since the song was a children’s favourite, Roshan decided to name the film after the song to please his target group. However, the rationale behind the title was not superficial as unlike the song it was named after, the ‘koi’ in the song did not refer to first love but to an extra-terrestrial creature.

Roshan’s 2003 fantasy film came just six years after Johar’s film so the song had good recall value by then. Similarly, films like Guzaarish and Jai Ho also followed the same path as they banked on the popularity of recent hit songs from Ghajini and Slumdog Millionaire. Though Sanjay Leela Bhansali added depth to the title of Guzaarish by addressing the issue of euthanasia, Sohail Khan changed the name of his film from Mental to Jai Ho after AR Rahman won an Academy Award for composing the renowned song sung by Sukhwinder Singh.

As the trend continues with upcoming films like Meri Pyari Bindu and Raabta, we are yet to see whether these films hold any titular relevance or are merely spin offs of popular songs with good recall value.

‘Bandhni, Guide and hopefully Neerja': Here are Sonam Kapoor’s favourite women-centric films

Mumbai: Sonam Kapoor says that Bandini and Guide are among her favourite female-oriented films and she now hopes that her own Neerja also joins this list.

Present at the FLO Film Festival, Sonam was asked in a media interaction about her three favourite female-oriented films to which she replied: Bandini, Guide and hopefully Neerja.”

Sonam Kapoor. Getty

Bandini (1963) directed by legendary Bimal Roy starred Nutan playing a prisoner, while Guide which released two years later saw Waheeda Rehman coming up with an excellent performance.

Asked about the International Women’s Day to be celebrated on 8 March, Sonam said: “I think Women’s Day should be celebrated everyday. But I’m happy that we’re giving one day for Women’s Day. Women are multi-taskers and we can do anything, so let’s celebrate the fact that we are capable of doing anything and more than a lot of men.”

Sonam, who has acted in numerous female-centric films such as Aisha, Khoobsurat and Dolly Ki Doli, says that the trend of actresses not given enough importance in films is now changing.

“I have been trying to get that importance since the age of 23, and that’s why I’ve come here and promoting a film like Neerja. Since I’ve joined the industry 8-9 years back, we’ve been moving gradually towards our goal, so I’m looking forward to it.”

“I had done a film Prem Ratan Dhan Payo which shone at the box-office. And according to me, my role was very good and lengthy. If Salmanji (Khan) was working for 200 days, I was working for 180 days, so it’s upto to the choice. I choose to do films like that, and if the other heroines take up such choices, then the change will happen,” she said.