Tag Archives: films

Masaan actress Shweta Tripathi is back in Haraamkhor: Why she stays away from ‘mindless’ films

Mumbai: Her maiden feature film Masaan made critics take note of her performance and actress Shweta Tripathi says she wants to stay away from “mindless” cinema where she is reduced to being looked upon as an object.

Shweta garnered rave reviews for the 2015 Neeraj Ghaywan film where she played the upper-caste lover of Vicky Kaushal’s Dalit character.

Shweta Tripathi. Image from News 18

The actress finds the cinema of Zoya Akhtar “commercial, yet not insulting your intelligence”, but does not understand mindless films.

“I dont watch the kind of cinema where people say leave your brain at home and watch. What is even that? I would never want to be treated as a prop, to be looked on as an object just because of my gender. That I am very sure about,” Shweta told PTI.

“If I am doing something which is making a difference in the story then Ill do it. But not because I am wearing certain clothes and doing nothing,” she added.

Though the National Award-winning Masaan became her first big release, Shweta had previously worked in the short film Sujata, part of Shorts — an anthology of five short films.

It was directed by Shlok Sharma, with whom she is now back with the latest Haraamkhor.

The film chronicles a relationship between a 14-year-old girl, played by Shweta and her tuition teacher, Nawazuddin Siddiqui, in a small town.

For the actress, the subject was never an issue and she insists she found out many cases like these once she started talking to people about this.

“It never worried me at all. But this happens everywhere. When I got out of my cocoon, I realised these are the stories which need to be told. I didn’t think it will run into any controversy, or it’ll have any problem with the Censor Board.”

The film, however, did run into trouble with the Examining Committee of Central Board of Film Certification (CBFC), which declined to pass the movie as the theme was “unacceptable.”

“When that happened, I used to call Shlok every now and then. More than frustrating, it was heartbreaking. When there was a meeting with the board, I went there even though I wasn’t needed.”

“When you are trying to do something right, tell an important story to the society without the intention of titillating, then you do ask ‘why us’? That moment came when the film was stuck.

Jolly LLB 2, Toilet, 2.0 and Pad Man: What Akshay Kumar’s slate of films looks like in 2017

Mumbai: On New Year’s Day on Sunday, Bollywood star Akshay Kumar shared with his fans his line-up of films for the calendar year, asking them for love and luck.

Akshay Kumar. File photo

He tweeted: “Busy summing up the year gone by? It’s time to not look back, but look ahead. Here’s what my 2017 looks like. Your thoughts, love and luck needed.”

The actor then went on to share the names of the films along with their photographs.

The first one is his upcoming courtroom comedy drama film Jolly LLB 2. Directed by Subhash Kapoor, the film also features Huma Qureshi and Annu Kapoor.

In the trailer, Akshay looks promising as a lawyer while he tackles the corrupt with some comical elements.

Toilet — Ek Prem Katha is the second. Directed by Shree Narayan Singh, it also stars Bhumi Pednekar and Anupam Kher, and is slated to release on June 2.

Then Akshay will be seen in Tamil science-fiction action thriller 2.o along with superstar Rajinikanth.

In the film, which is being directed by Shankar, Rajinikanth plays a scientist, and he will also be seen as Chitti robot. Akshay plays the prime antagonist in the film, which will hit the screens worldwide during Diwali 2017.

The fourth project that Akshay has in his kitty for 2017 is Pad Man. It is said to be a biopic on Arunachalam Muruganantham, and will chronicle his journey of finding a way to make cheap, affordable sanitary napkins for women in his village.

Dilwale Dulhaniya Le Jayenge to Ae Dil Hai Mushkil: Bollywood loves naming films after hit songs

Dilwale Dulhania Le Jayenge still runs successfully at Maratha Mandir today. What runs along with it in the film industry, are all the DDLJ clichés that the film gave birth to, in 1995. The train sequence, lovers running and uniting in the fields and the girl’s furious father letting go of his daughter in the climax – all these scenes became historic and, in turn, the formula for all commercial entertainers.

Ae Dil Hai Mushkil borrows its title from the Johnny Walker's iconic song from the 1956 film CID.

An unnoticed trend or formula that Aditya Chopra’s film injected into the veins of the industry was that of dedicating the title of the film to the name of a famous song. Dilwale Dulhania Le Jayenge was the name of a song from Yash Raj Films’ 1974 movie Chor Machaye Shor starring Mumtaz and Shashi Kapoor.

Chopra, who was just four years old at the time of the release of the film, is likely to have imbibed the dialogues, scenes and songs of his legendary father Yash Chopra’s films. Thus, while selecting a title of his directorial debut, he chose one of the famous songs that he grew up listening to. The title fit into the context of the film aptly as well.

What followed was a trend of naming films after famous songs as a formula, on the director’s part, to replicate DDLJ’s momentous success. One of the first attempts at executing the formula was in the 1998 Sohail Khan directorial Pyar Kiya Toh Darna Kya starring Salman Khan and Kajol.

The film could have been named anything else but Khan chose to bank on the popularity of the legendary song from K Asif’s 1960 historical drama Mughal-e-Aazam. The film emerged successful and the trend of naming films after famous songs continued.

While intertextuality was not a new phenomenon in Hindi cinema, these allusions to popular songs gained traction as a mere market trend. There were several instances when the title of the film had little to do with the story but was used nonetheless as the song it was named after had immense recall value among its target group.

For example, Samir Karnik’s 2011 comedy Yamla Pagla Deewana was named so to attract the fans of Dharmendra to cinema halls. The film was nothing more than an ode to the revered actor and the fact that he was sharing the screen space with his sons Sunny and Bobby Deol for the first time. The right packaging, in which the title played a crucial role, ensured the film was a huge success at the box office, though it was panned by the film critics.

Similarly, after Ranbir Kapoor had a flawed launch vehicle in Saawariya, Yash Raj Films decided to capitalise on their own formula when they re-launched Kapoor through the film Bachna Ae Haseeno, named after his father Rishi Kapoor’s iconic song from the 1977 action film Hum Kisi Se Kum Naheen. The film worked and launched the fourth generation star in the process. Incidentally, another film of Ranbir, Yeh Jawaani Hai Deewani was named after the title song of his uncle Randhir Kapoor’s 1972 film Jawani Diwani. The titles of the two films were in tune with Ranbir’s characters but at the same time, they indicated the fact that Ranbir is carrying forward his family legacy.

There were a few films which took their titles from popular songs but presented it in an entirely new light. The most recent example is Karan Johar’s Ae Dil Hai Mushkil. The title is inspired from Johnny Walker’s historic song from the 1956 film CID. Though the context of that song was the trials that one faces while making his ends meet in Mumbai, Johar’s version turned into an anthem for unrequited lovers.

Another good example is Farah Khan’s Om Shanti Om, which was a complete detour from Rishi Kapoor’s song from the 1980 thriller Karz. Though both the films were based on the theme of reincarnation, the title had little to do with the coincidence. It alluded to the characters of the film, Shantipriya and the two incarnations of Om.

Another interesting example is Rakesh Roshan’s Koi Mil Gaya. The title referred to a dance number in Johar’s Kuch Kuch Hota Hai. Since the song was a children’s favourite, Roshan decided to name the film after the song to please his target group. However, the rationale behind the title was not superficial as unlike the song it was named after, the ‘koi’ in the song did not refer to first love but to an extra-terrestrial creature.

Roshan’s 2003 fantasy film came just six years after Johar’s film so the song had good recall value by then. Similarly, films like Guzaarish and Jai Ho also followed the same path as they banked on the popularity of recent hit songs from Ghajini and Slumdog Millionaire. Though Sanjay Leela Bhansali added depth to the title of Guzaarish by addressing the issue of euthanasia, Sohail Khan changed the name of his film from Mental to Jai Ho after AR Rahman won an Academy Award for composing the renowned song sung by Sukhwinder Singh.

As the trend continues with upcoming films like Meri Pyari Bindu and Raabta, we are yet to see whether these films hold any titular relevance or are merely spin offs of popular songs with good recall value.

‘Bandhni, Guide and hopefully Neerja': Here are Sonam Kapoor’s favourite women-centric films

Mumbai: Sonam Kapoor says that Bandini and Guide are among her favourite female-oriented films and she now hopes that her own Neerja also joins this list.

Present at the FLO Film Festival, Sonam was asked in a media interaction about her three favourite female-oriented films to which she replied: Bandini, Guide and hopefully Neerja.”

Sonam Kapoor. Getty

Bandini (1963) directed by legendary Bimal Roy starred Nutan playing a prisoner, while Guide which released two years later saw Waheeda Rehman coming up with an excellent performance.

Asked about the International Women’s Day to be celebrated on 8 March, Sonam said: “I think Women’s Day should be celebrated everyday. But I’m happy that we’re giving one day for Women’s Day. Women are multi-taskers and we can do anything, so let’s celebrate the fact that we are capable of doing anything and more than a lot of men.”

Sonam, who has acted in numerous female-centric films such as Aisha, Khoobsurat and Dolly Ki Doli, says that the trend of actresses not given enough importance in films is now changing.

“I have been trying to get that importance since the age of 23, and that’s why I’ve come here and promoting a film like Neerja. Since I’ve joined the industry 8-9 years back, we’ve been moving gradually towards our goal, so I’m looking forward to it.”

“I had done a film Prem Ratan Dhan Payo which shone at the box-office. And according to me, my role was very good and lengthy. If Salmanji (Khan) was working for 200 days, I was working for 180 days, so it’s upto to the choice. I choose to do films like that, and if the other heroines take up such choices, then the change will happen,” she said.