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Dear Zindagi movie review: Incredibly cute Alia, Shah Rukh Khan need a more consistent script

Dear Zindagi is clearly straining at the formula-ridden Bollywood straitjacket to give us a refreshing take on love and family, and for the most part it sticks to its guns. In the end, it does succumb to the pressure to bow to perceived public demand with passing mentions of what we have come to consider inevitable in every Hindi film, but the ride up to that point is so rewarding so often that it is tempting to look past those needless moments.

Writer-director Gauri Shinde’s Dear Zindagi comes four years after her remarkable debut with English Vinglish. If that film brought the charismatic Sridevi back to the big screen as a leading lady after a 15-year hiatus, this one redefines the concept of hero and heroine in Hindi cinema.

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Dear Zindagi revolves around Kaira (Alia Bhatt), a talented young cinematographer in Mumbai who despises her parents, appears confident in her romantic relationships yet is ridden with insecurities about the men she is drawn to. Those insecurities lead her to deliberately hurt her boyfriends before they get a chance to hurt her. It does not take a degree in psychology for a viewer to figure out her behaviour patterns, but Kaira is naturally confused by her fears. She ends up seeking professional help, and with some wise counsel, finds her answers herself.

When one of the biggest stars in the history of Bollywood appears on screen about 40 minutes after the opening credits, it goes without saying that this is an extremely unconventional film. Bhatt’s Kaira is the focal point of the story from start to finish whereas Shah Rukh Khan – playing her therapist Dr Jehangir Khan – surfaces towards the latter part of the first half and is nowhere to be seen in the concluding scene.

In a male-obsessed industry still tending to subordinate women in most mainstream projects, this is a decision that shows guts on Shinde’s part and Khan’s evident willingness to experiment. That other MegaKhan, Aamir, took a similar gamble with rewarding results in Taare Zameen Par (2007), and this is a winning aspect of Dear Zindagi too.

SRK gets less screen time but owns every scene he is a part of. In fact, Doc Jehangir enters the picture just as the film is sagging and appears to be repeating itself. His arrival immediately lifts Dear Zindagi. It sags again occasionally thereafter, but never when he is around. Besides, there is such warmth in Kaira’s interactions with the Doc that it envelops the rest of the narrative too.

It is worth mentioning that Khan in this new phase of his career when he is acknowledging his age gracefully, showing us a dash of gray and a whiff of wrinkles, is looking hot.

Kaira explodes in anger at one point when someone describes her as a pataka (firecracker). Well, that’s precisely what Bhatt is – a pataka with pizzazz and verve. What makes her so impactful is that she has had an internal journey with each of her roles so far, and not so far allowed that journey to be overshadowed by her attractive personality. Kaira is simultaneously exasperating and endearing, and Bhatt remains in control of that difficult blend throughout.

Still, the film needed more matter to wrap around these two lovely stars, and Dear Zindagi too often does not. Some of that comes from the failure to build up the satellite characters who are Kaira’s go-to people in times of need. We get that she is pre-occupied with her own emotional struggles to the point of not noticing their problems, but that is no excuse for the writing to neglect them too.

Who is Fatima (Ira Dubey) beyond being a mature, married friend? Who is Jackie (Yashaswini Dayama) beyond being a sweet, supportive, possibly younger friend? Who and what is that chubby male colleague beyond being chubby and funny? Who is her brother Kiddo (Rohit Saraf) whom she loves, beyond being her brother Kiddo whom she loves? Who and what are her boyfriends Sid (Angad Bedi), Raghuvendra (Kunal Kapoor) and Rumi (Ali Zafar) beyond being a good-looking restaurateur, a good-looking producer and a good-looking musician?

(Spoiler alert) And then there are those two oh-no moments towards the end – you know the kind that make you say, “Oh no, you too Dear Zindagi”? One of them seems to go along with the traditional view that characters played by a major male star and a major female star must inevitably be attracted to each other if they interact long enough in a story; the other underlines the essentiality of a man in a woman’s life to make her feel complete. Both are fleeting suggestions, but they pull down the film’s assuredness about what it is trying to say until then. Oh no, you too Dear Zindagi? (Spoiler alert ends)

For this and other reasons the film is inconsistent and intermittently lightweight. Yet, there is much else to recommend in Dear Zindagi.

The use of music, Amit Trivedi’s breezy tunes and Kausar Munir’s conversational lyrics are lots of fun, as are Kaira’s many amusing interactions with her friends. DoP Laxman Utekar fills the film with pretty frames of Goa beyond what we are used to seeing of that picturesque state, and is just as imaginative in his focus on Khan and Bhatt’s faces. Watch out for the closing shots of Bhatt on a beach.

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From an industry that usually treats parents as deities deserving to be worshipped, it is also unusual to get a story that does not ignore these gods’ feet of clay, especially considering that Dear Zindagi is co-produced by Karan “It’s All About Loving Your Parents” Johar.

Above all, it is nice to see a film making an effort to destigmatise patient-therapist interactions, in a portrayal far removed from the “paagalkhanas (lunatic asylums)” of an earlier Bollywood era.

Dear Zindagi then is a mixed bag. I loved SRK in the film, Bhatt is always a pleasure to watch, the story visits many themes that are uncommon in Bollywood, and several of the discussions are either witty or insightful or both. Overall though, the film comes across as being not enough because the writing needed more substance.

Dear Gauri Shinde,

You broke the mould with the delightful English Vinglish. Since you have defied convention in so many ways this time round too, you may as well have gone the entire distance without worrying about the consequences. We believe in you. Please do have faith in our faith in you.

Dear Zindagi Take 1: Alia Bhatt, SRK seen in pursuit of happiness; Ali Zafar missing from teaser

After teasing fans and social media patrons for days, Shah Rukh Khan posted a few videos on his Twitter timeline as an indication of what to expect from his upcoming film with Alia Bhatt, Gauri Shinde’s Dear Zindagi. 

After releasing a first look earlier on Wednesdayit was revealed that this film would not have an extended theatrical trailer, but three teasers, titled Take 1, Take 2 and Take 3.

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SRK shared Take 1, and the one-odd minute teaser reveals much about the tone of the film. Much like Shinde’s last film English Vinglish, Dear Zindagi also deals with breaking free, but of a different kind. In this teaser, Alia Bhatt is seen spending time with Shah Rukh Khan, who is reported to be her therapist/life coach.

The two are in goa, when SRK tells her to play “kabbadi with the sea”. This is a cue to let go and just have a good time, and she is seen struggling with it, but slowly, starts to get with the programme. They’re also shown riding around Goa and generally chilling out. We’re guessing the reason the teasers are called Takes is because Bhatt plays a filmmaker in Dear Zindagi.

The fact that there’s a lot of brightness, vibrancy and happy, positive music in this teaser points to the fact that this is going to be an uplifting film. We wouldn’t expect any different from Gauri Shinde.

Meanwhile, Pakistani actor Ali Zafar, who is said to be playing a part in Dear Zindagi is missing from this trailer. It is yet to be confirmed whether or not his role will be edited out of the film. All eyes are on the release of Karan Johar’s Ae Dil Hai Mushkil at the moment, which stars Fawad Khan.

Thankful to Shahid for bringing me this role: Alia Bhatt on ‘Udta Punjab’

In Abhishek Chaubey’s next film Udta Punjab you won’t recognise Shahid Kapoor and Alia Bhatt. Kapoor plays a rockstar named Tommy Singh, while Alia Bhatt essays the role of a Bihari migrant.

Bhatt said that Abhishek Chaubey was sceptical about casting her as a Bihari girl in the film.

“I think our director Abhishek Chaubey was sceptical about casting me in the film. I am happy that I am a part of it. This character is completely different from what I am in real life. I felt that there would be out of box things in the film and it has,” said Alia at the trailer launch of Udta Punjab.

380“I had to learn Bihari. Though I talk less in the film, but the dialogues are powerful. For a month or so, I worked on my dialect with the help of a trainer. And for my look, I have to give credit to the costume designer and our director Abhishek Chaubey,” she added.

Alia credited her co-star Shahid Kapoor for getting her this film. “I am thankful to Shahid for bringing up this role to me. I wanted to be in this film. It’s a lifetime opportunity. It’s a great story,” she said.

Udta Punjab highlights the rampant issue of drug abuse among youth in Punjab.

Kareena Kapoor Khan essays the role of a doctor who is determined to fight the illegal transportation of drugs, including medicinal ones that are sold without prescription in Punjab. Punjabi actor-singer Diljit Dosanjh is seen as a police official in the trailer.

Meanwhile, Anurag Kashyap, whose Phantom Films has co-produced the film, has tweeted that the trailer of Udta Punjab had been cleared without any cuts or beeps.